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English literature --- War in literature. --- Literature and society --- Military history, Medieval, in literature. --- Civilization, Anglo-Saxon, in literature. --- Power (Social sciences) in literature. --- Military ethics in literature. --- Soldiers in literature. --- War in literature --- Military history, Medieval, in literature --- Civilization, Anglo-Saxon, in literature --- Power (Social sciences) in literature --- Military ethics in literature --- Soldiers in literature --- English --- Languages & Literatures --- English Literature --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- History and criticism. --- History --- History and criticism --- Social aspects
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Posing questions of quality and beauty as discoverable in artefacts, On the Aesthetics of Beowulf and Other Old English Poems significantly advances our understanding not only of aesthetics and Old English poetry, but also of Old English attitudes towards literature as an art form.
English poetry --- Art and literature --- Literature --- English literature --- Aesthetics --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- History and criticism. --- History --- Aesthetics. --- Appreciation. --- Beowulf. --- Bjowulf --- England. --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra
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One of the most consistent critiques levelled against Beowulf is that it lacks a steady narrative advance and that its numerous digressions tend to complicate if not halt the poem's movement. As those passages often look backward or far ahead in narrative time, they seem to transform the poem into a meditative pastiche. The Narrative Pulse of Beowulf counters this assertion, examining Beowulf as a social drama with a strong, forward-moving narrative momentum.John M. Hill discerns a distinctive 'narrative pulse' arising out of the poem's many scenes of arrival and departure. He argues that such scenes, far from being fixed or 'type' scenes, are socially dramatic and a key to understanding the structural density of the poem. Bolstering his analysis with a strong understanding of the epic, Hill looks at Beowulf in relation to other stories such as The Odyssey and The Iliad, epics that, though they may appear to have a certain narrative elasticity, use scenes of arrival and departure to create a cohesive social world in which stories unfold. As a new and comprehensive study of one of the most important Old English texts, The Narrative Pulse of Beowulf sheds new light on this famous poem and the epic tradition itself.
Epic poetry, English (Old) --- Discourse analysis, Narrative. --- Narrative discourse analysis --- Narration (Rhetoric) --- History and criticism. --- Beowulf. --- Bjowulf
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In this cross-disciplinary study, John Hill looks at Beowulf from a comparative ethnological point of view. He provides a thorough examination of the socio-cultural dimensions of the text and compares the social milieu of Beowulf to that of similarly organized cultures.
Epic poetry, English (Old) --- Civilization, Anglo-Saxon, in literature. --- Literature and anthropology --- Civilization, Germanic. --- Culture in literature. --- Germanic civilization --- Germanic peoples --- Teutonic civilization --- Anthropology and literature --- Anthropology --- History and criticism. --- Civilization --- Beowulf. --- Bjowulf --- England. --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra
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Troilus and Criseyde, the discussion in Chaucer{u2019}s Neoplatonism includes the dream visions as well as aspects of The Canterbury Tales. It lays out Chaucer{u2019}s Boethian-inspired, cognitive approach, drawn mainly from Book V of the Consolatio, to whatever subject he treats. Far from courting skepticism, Chaucer gathers many variants of such matters as love, friendship, and community within a meditative mode that assess better and worse instances. He does so to illuminate a fuller sense of the forms that respectively underlie particular manifestations of love, joy, friendship or community. That process is both cognitive and aesthetic in that beauty and truth appear more fully as one assess both better and worse instances of an idea or of an experience. Chapters on the dream visions establish Chaucer{u2019}s reasonable belief in the truth-value of fictions, however grounded on exaggerated and mixed tidings of truth and falsehood. Chapters on Troilus and Criseyde examine relationships between the main characters given the place of noble friendship within an initially promising but then tragic love story. The drama of those relationships become Chaucer{u2019}s major claim to fame before the tales of Canterbury, where, for meditative purposes, he gathers various gestures toward community among the dramatically interacting pilgrims, while also exploring the dynamics of reconciliation.
Neoplatonism in literature. --- Chaucer, Geoffrey, --- Criticism and interpretation. --- Chaucer, Jeffrey, --- Chʻiao-sou, Chieh-fu-lei, --- Chieh-fu-lei Chʻiao-sou, --- Choser, Dzheffri, --- Choser, Zheoffreĭ, --- Cosvr, Jvoffrvi, --- Tishūsar, Zhiyūfrī,
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Dialectology --- Historical linguistics --- Spanish language --- anno 1500-1599 --- anno 1600-1699
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