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Arguing with Aseneth' shows how the ancient Jewish romance known as 'Joseph and Aseneth' moves a minor character in Genesis from obscurity to renown, weaving a new story whose main purpose was to intervene in ancient Jewish debates surrounding gentile access to Israel's God. Written in Greco-Roman Egypt around the turn of the era, 'Joseph and Aseneth' combines the genre of the ancient Greek novel with scriptural characters from the story of Joseph as it retells Israel's mythic past to negotiate communal boundaries in its own present. With attention to the ways in which Aseneth's tale "remixes" Genesis, wrestles with Deuteronomic theology, and adopts prophetic visions of the future, 'Arguing with Aseneth' demonstrates that this ancient novel inscribes into Israel's sacred narrative a precedent for gentile inclusion in the people belonging to Israel's God.

Gentiles in the Bible --- God --- Biblical teaching --- Joseph and Aseneth --- Criticism, interpretation, etc.

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"Is the Bible the unembellished Word of God or the product of human agency? There are different answers to that question. And they lie at the heart of this book's powerful exploration of the fraught ways in which money, race and power shape the story of Christianity in American public life. The authors' subject is the Museum of the Bible in Washington, DC: arguably the latest example of a long line of white evangelical institutions aiming to amplify and promote a religious, political, and moral agenda of their own. In their careful and compelling investigation, Jill Hicks-Keeton and Cavan Concannon disclose the ways in which the Museum's exhibits reinforce a particularized and partial interpretation of the Bible's meaning. Bringing to light the Museum's implicit messaging about scriptural provenance and audience, the authors reveal how the MOTB produces a version of the Bible that in essence authorizes a certain sort of white evangelical privilege; promotes a view of history aligned with that same evangelical aspiration; and above all protects a cohort of white evangelicals from critique. They show too how the Museum collapses vital conceptual distinctions between its own conservative vision of the Bible and 'The Bible' as a cultural icon. This revelatory volume above all confirms that scripture - for all the claims made for it that it speaks only divine truth - can in the end never be separated from human politics"--

Christianity --- Museum of the Bible. --- Bible --- Evidences, authority, etc. --- Criticism, interpretation, etc.

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"This volume of essays, from an internationally renowned group of scholars, challenges popular ways of understanding how Judaism and Christianity came to be separate religions in antiquity. Essays in the volume reject the belief that there was one parting at an early point in time and contest the argument that there was no parting until a very late date. Scholars re-examine texts authored by ancient worshipers of Israel's God, resulting in a complex account of multiple partings that occurred at different places and paces in myriad ways around the ancient Mediterranean in the first four centuries CE"--

Christianity and other religions --- Judaism --- Church history --- Judaism. --- Relations --- Christianity. --- History