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Ranging from Polish inspirations in contemporary authors such as Bernlef, Frank Westerman and Erwin Mortier, over the Central European successes of the now forgotten Jo van Ammers-Küller, to the Bulgarian character Firmin Debeljanov in The Sorrow of Belgium: with its focus on the various interrelations between the contemporary literature of the Low countries and the so-called smaller literary cultures located between the German and the Russian language areas, the volume Van Eeden tot heden offers a multi-faceted perspective on a hitherto barely explored topic in twentieth-century European literature. Due to the academic background of the contributing authors the emphasis is on Polish, Hungarian and Czech case studies, though the Balkans are also being dealt with - albeit less prominently. Whereas some contributions search for contacts, links and influences between literatures and literators, some other chapters set up textual encounters in which authors and their works are compared from a thematic, poetic, stylistic or generic angle. Apart from these comparative endeavors, another group of contributors offer reception analysis regarding the overall topic. In the last part of the volume the focus is on issues of (national) representation and the discursive strategies that are used for it.

Central European literature. --- Dutch literature --- History and criticism. --- Eeden, Frederik van,

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The past three decades have seen the rise of a transnational European cinema, not only in terms of production, but also in terms of a growing focus on multi-ethnic themes within the European context. The collapse of the Iron Curtain and the subsequent (and on-going) enlargement of the European Union have played a major role in this shift from national to trans-European filmmaking. Its most obvious on-screen manifestation is the increa

Motion pictures --- Cold War --- History. --- Influence. --- #SBIB:309H1320 --- #SBIB:309H1327 --- Influence --- History --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Films met een amusementsfunctie en/of esthetische functie: script

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Polish literature

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A critical examination of the category of "Polishness" - that is, the formation, redefinition, and performance of various kinds of Polish identities - from a wide range of disciplinary perspectives.Inspired by new research in the humanities and social sciences as well as recent scholarship on national identities, this volume offers a rigorous examination of the idea of Polishness. Offering a diversity of case studies and methodological-theoretical approaches, it demonstrates a profound connection between national and transnational processes and places the Polish case in a broader context. This broader context stretches from a larger Eastern European one, a usual frame of comparison, to the overseas immigrant communities. The authors, renowned scholars from Europe and the United States, thus demonstrate that an understanding of modern Polish identity means crossing not only historical but also geographical boundaries.Consequently, the narrative on Polish identity that unfolds in the volume is a personalized and multivocal one that presents the perspectives of a wide range of subjects: peasants, workers, migrants, ethnic and sexual minorities-that is, all those actors who have been absent in grand national narratives. As such, the examination of Polishness sheds light on the identity question more broadly, emphasizing the interplay of pluralizing and homogenizing tendencies, and fostering a reflection on national identity as encompassing both sameness and difference.

Europe, eastern --- History