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Church history --- Christianity and other religions --- Dionysia --- Orphée (Mythologie grecque) --- Eglise --- Christianisme --- Orphisme --- Histoire --- Relations --- Orpheus --- Dionysia. --- 225.08*9 --- 292 --- 225.08*9 Theologie van het Nieuw Testament: relatie met het hellenisme --- Theologie van het Nieuw Testament: relatie met het hellenisme --- Orphic mysteries --- Orphism --- Cults --- Godsdiensten van Grieken en Romeinen. Klassieke mythologie --- Religion grecque --- Influence

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Este tercer volumen de la serie Teopoética ve la luz como re sultado de las III y IV Jornadas de Poesía Religiosa celebradas en la Universidad San Dámaso en 2015 y 2016. El espíritu que anima este proyecto sigue siendo el que se describía en las in troducciones a los dos primeros volúmenes: estudiar las formas poéticas de la vida religiosa, muy alejadas tanto de esas “formas elementales” durkheimianas a las que los antropólogos ritualistas creen poder reducir el fenómeno religioso, como un mecanis mo de construcción de comunidad social, cuanto de la teología sistemática que impregna irremisiblemente los textos en prosa que tratan cuestiones religiosas. La dicotomía entre creencia y ritual lleva demasiado tiempo monopolizando las discusiones académicas sobre la religión antigua y moderna, y es necesario un enfoque que dé cabida a una dimensión clave del fenómeno que queda oculta en esta oposición estructural: la expresión poética de la experiencia religiosa se sitúa a caballo entre los campos de lo racional y lo emocional, lo cultural y lo natural.

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Walking through Elysium stresses the subtle and intricate ways writers across time and space wove Vergil’s underworld in Aeneid 6 into their works. These allusions operate on many levels, from the literary and political to the religious and spiritual. Aeneid 6 reshaped prior philosophical, religious, and poetic traditions of underworld descents, while offering a universalizing account of the spiritual that could accommodate prior as well as emerging religious and philosophical systems. Vergil’s underworld became an archetype, a model flexible enough to be employed across genres, and periods, and among differing cultural and religious contexts. The essays in this volume speak to Vergil’s incorporation of and influence on literary representations of underworlds, souls, afterlives, prophecies, journeys, and spaces, from sacred and profane to wild and civilized, tracing the impact of Vergil’s underworld on authors such as Ovid, Seneca, Statius, Augustine, and Shelley, from Pagan and Christian traditions through Romantic and Spiritualist readings. Walking through Elysium asserts the deep and lasting influence of Vergil’s underworld from the moment of its publication to the present day.

Voyages to the otherworld in literature --- Aeneid --- Augustine --- Christian --- Ovid --- Pagan --- Romantic --- Rome --- Seneca --- Shelley --- Statius --- Vergil --- Virgil --- classical literature --- death --- literary reception --- poetry --- spirituality --- tradition --- underworld --- Vergilius Maro, P. --- Vergilius Maro, Publius --- Vergilius --- Virgile --- Virgilio Máron, Publio --- Virgilius Maro, Publius --- Vergili Maronis, Publius --- Virgilio Marone, P. --- Vergilīĭ --- Vergílio --- Wergiliusz --- Vergilīĭ Maron, P. --- Vergilīĭ Maron, Publīĭ --- Verhiliĭ Maron, P. --- Virgilio --- Virgilīĭ, --- Virgilius Maro, P. --- Virgil Maro, P. --- ווירגיל, --- וירגיליוס, --- ורגיליוס, --- מרו, פובליוס ורגיליוס, --- فرجيل, --- Pseudo-Virgil --- Pseudo Virgilio --- Virgilio Marón, Publio --- Bhārjila --- Influence. --- E-books --- Voyages to the otherworld in literature. --- Aeneid. --- Augustine. --- Christian. --- Ovid. --- Pagan. --- Romantic. --- Rome. --- Seneca. --- Shelley. --- Statius. --- Vergil. --- Virgil. --- classical literature. --- death. --- literary reception. --- poetry. --- spirituality. --- tradition. --- underworld. --- LITERARY CRITICISM / Ancient & Classical. --- Marone, Publio Virgilio --- Aeneis (Virgil) --- Aeneid (Virgil) --- Eneida (Virgil) --- Enéide (Virgil)

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This book contributes to the understanding of Dionysos, the Greek god of wine, dancing, theatre and ecstasy, by putting together 30 studies of classical scholars. They combine the analysis of specific instances of particular dimensions of the god in cult, myth, literature and iconography, with general visions of Dionysos in antiquity and modern times. Only from the combination of different perspectives can we grasp the complex personality of Dionysos, and the forms of his presence in different cults, literary genres, and artistic forms, from Mycenaean times to late antiquity. The ways in which Dionysos was experienced may vary in each author, each cult, and each genre in which this god is involved. Therefore, instead of offering a new all-encompassing theory that would immediately become partial, the book narrows the focus on specific aspects of the god. Redefinition does not mean finding (again) the essence of the god, but obtaining a more nuanced knowledge of the ways he was experienced and conceived in antiquity.

Dionysus --- Dionysus (Greek deity). --- Religion --- Philosophy & Religion --- European Religions - pre-Christian --- E-books --- Dionysus (Greek deity) --- Gods, Greek. --- Dionysus - (Greek deity)