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Das Buch begibt sich auf die Suche nach den Zeiterfahrungen, wie wir sie an und in den Künsten, der Literatur, in der Philosophie und den Medien machen. Die Präsenz von Vergangenheit in Gegenwart und Zukunft sowie die Unumkehrbarkeit kausaler Verhältnisse auf der zeitlichen Achse legen bloß, wie sehr die Erfahrung von Zeit bereits begrifflich durchdrungen ist. Gerade weil wir wissen, dass unsere Lebenszeit nicht wiederholbar ist, faszinieren uns Déjà-vus und all jene traumartigen Raum-Zeit-Verdichtungen, mit denen die Kunst arbeitet. Manche Zeit ist zählbar und gibt uns so etwas wie ein Datum; andere Zeitformen sind nur qualitativ erlebbar und paradoxal im Ausdruck. Im Traum funktioniert die Vermischung von Zeit und Raum mühelos und die Kunst spielt in Mythen, Filmen und Literatur genau mit dieser Unschärfe.
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"Fusing speculative realism, analytical and linguistic philosophy this book theorises the fundamental impact the experience of reading has on us. In reading, language provides us with a world and meaning becomes perceptible. We can connect with another subjectivity, another place, another time. At its most extreme, reading changes our understanding of the world around us. Metanoia--meaning literally a change of mind or a conversion--refers to this kind of new way of seeing. To see the world in a new light is to accept that our thinking has been irrevocably transformed. How is that possible? And is it merely an intellectual process without any impact on the world outside our brains? Innovatively tackling these questions, this book mobilizes discussions from linguistics, literary theory, philosophy of language, and cognitive science. It re-articulates linguistic consciousness by underlining the poetic, creative moment of language and sheds light on the ability of language to transform not only our thinking but the world around us as well."--Bloomsbury Publishing.
Language and languages --- Ontology. --- Poetics. --- Philosophy. --- Psycholinguistics --- Poetry --- Being --- Philosophy --- Metaphysics --- Necessity (Philosophy) --- Substance (Philosophy) --- Technique
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This minutely detailed examination of a supposedly small grammatical detail, the use of the present tense, opens up new perspectives on a founding myth of the aesthetics of modernity: the longing for presence. This collection approaches the issue by documenting how the present tense became dominant in the 20th century novel. The authors draw on perspectives in fiction theory and narratology to delineate facets of this fundamental shift in literary aesthetics from the past tense to the present.
German literature --- Fiction --- anno 1900-1999 --- German fiction --- German language --- Literature --- Littérature allemande --- Allemand (langue) --- Narration --- Littérature --- Poétique --- History and criticism. --- Tense. --- Technique. --- Aesthetics. --- Histoire et critique --- Temps (linguistique) --- Esthétique --- 82-3 --- Proza. Fictie. Narratologie --- Erzählzeit. --- Präsens. --- 82-3 Proza. Fictie. Narratologie --- Aesthetics --- Fiction writing --- Metafiction --- Writing, Fiction --- Authorship --- Technique --- History and criticism --- Tense --- Narration. --- Poétique. --- Histoire et critique. --- Esthétique. --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Fiction (Literature). --- Fiction Theory. --- Modern Literature. --- Tense Theory. --- Littérature allemande --- Littérature --- Poétique. --- Esthétique.
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The invention of the present-tense novel is a literary event whose importance is on par with the discovery of perspective in painting. From the first novels shaped by interior monologues and the use of the present tense in the tradition of modernism, the present tense has, over the course of its century-long evolution, changed the conditions of fictional narration, along with our conceptions of time in a philosophical and linguistic framework. Indeed, to understand the work of an increasing number of contemporary writers – J.M. Coetzee, Tom McCarthy, Thomas Pynchon, to name only a few – it is necessary to both understand the distinct linguistic and literary qualities of the present tense as well as its historical transformation into a genuine tense of contemporary storytelling. For the first time in literary scholarship, Present Tense: A Poetics offers an account of a profound development in 20th- and 21st-century fiction.
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Aesthetics --- Bewegung. --- Emotions in art --- Erfahrung. --- Hamburg <2006>. --- Kongress. --- Ästhetik. --- Congresses.
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