Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The everyday connotations of the original, the real, sincere, valid, historical or deep are well-known, and the opposite of the authentic may then be the superficial, false, not-what-it-seems, or just new. Nonetheless 'the real thing' presents us with some productive ambiguities that create a point of departure for an analysis and a better understanding of the changes in the post-digital society. Digital technology is embedded in almost every personal relationship, in labour conditions, and in aesthetic practices. What does this mean for the 'authentic'? To unfold the nuances of the concept of contemporary authenticity this book aims to bring together different thinkers to reflect on the meaning of the authentic now. As a process and as a fluid and performative scheme to be enacted at any time?not just in terms of art and art making but flowing into every single nook of contemporary life, from the intimate to the public.

philosophy of art --- digital art [visual works] --- authenticity --- Art --- Philosophy --- anno 2000-2099 --- kunst --- kunsttheorie --- reproductie --- 7.01 --- waarheid --- computers --- nieuwe media --- kunst en technologie --- echtheid --- esthetica --- authenticiteit --- Reproduceerbaarheid ; uniciteit ; van het kunstwerk --- Kunsttheorie ; 21ste eeuw ; nieuwe media --- Nieuwe media ; multimediale cultuurdragers --- Kunst ; theorie, filosofie, esthetica --- Technologie et art --- Sociologie de la culture --- Comportement social --- Psychologie --- Nouveau média

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Queer Exhibition Histories is composed of case studies, interviews and essays that emphasize different queer exhibitions and their modes of presentation and archiving. Many of these projects were short-lived or were executed between the walls of the private or domestic space, far beyond the scope of any institutional recognition. Therefore, the exhibitions materialized on limited budgets, were hardly documented and received barely any media coverage. For this reason, the legacy of these projects is highly dependent on personal archives, memories and paraphernalia, whereof the entries are not always easy to find. The events were not only artistic, but they could equally be discursive, activist and educational, or serve as a tool for community building. At the intersection of queerness and contemporary art, Queer Exhibition Histories investigates how the efforts of LGBTQIA+ artists and curators have advanced their public presence"--

Sociology of the family. Sociology of sexuality --- Art --- exhibitions [events] --- kunst --- LGBTQIA+ --- 069 --- museologie --- tentoonstellingen --- musea --- kunsttheorie --- 7.078 --- Kunst en maatschappij ; underground cultuur --- Museologie ; diversiteit --- Queer en kunst ; 20ste en 21ste eeuw --- 069.1 --- Museologie --- Archivistics --- exhibition records --- archiving --- documentation [activity] --- genderqueer --- Europe --- Museology --- art history --- LGBTQ+ --- exhibition curators --- LGBTQIA+ (lesbian, gay, bi, trans, queer, intersex and asexual) --- diversiteit --- Sexual minorities in art --- Art museums --- Museums and sexual minorities --- Homosexuality and art. --- Minorities in art --- Sexual minorities. --- Lesbian artists. --- Gay artists. --- LGBT activism. --- LGBT community centers. --- Queer theory. --- Minority arts facilities. --- Artistes lesbiennes. --- Artistes homosexuels. --- Homosexualité et art. --- Musées et minorités sexuelles --- Théorie queer. --- Minorités sexuelles dans l'art --- Minorités dans l'art --- Sexual minorities in art. --- Exhibitions. --- History. --- Art museums. --- Social aspects. --- Museums and sexual minorities. --- Minorities in art. --- Queer art . --- Exhibitions --- Social aspects --- Expositions. --- Expositions --- Histoire. --- Aspect social