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Knitting --- Knitting. --- History. --- Social aspects.
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"Addressing textiles as a distinctive area of cultural practice and field of scholarly research, The Textile Reader introduces students to the key issues essential to the exploration of the textile from both a critical and a creative perspective. The second edition brings together lectures, catalogue essays, academic articles, fiction and poetry, as well as several articles available in English translation for the first time, to capture the diversity of voices informing textile studies today"--
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"Cultural Threads considers contemporary examples of textile artists who work at the intersection of multiple cultural influences and use crafts as their vehicle. The roots of postcolonial theory lie in literature and have, in the past, been communicated through dense academic jargon. This book aims to break with the impenetrable rhetoric and instead show the rich visual diversity of craft and art that engages with multiple cultural influences. Postcolonial ideas about belonging to multiple cultures, which in reality result in a sense of connection to everywhere and nowhere simultaneously, are pertinent to society today more than ever. So too are the multiple, often overlooked, histories behind the objects that make up our material world. Many of these objects exist in an in-between world of their own, not wholly embraced by the establishments of art, nor functional objects in the conventional sense of craft. Cultural Threads is an exploration of modern textile art and its relationship with postcolonial culture; however, the postcolonial thinking examined here shares with craft an interest in the lived, rather than the purely theoretical, and as such is a very human account of these interactions between craft and culture"--
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"The Textile Reader is the first anthology to address textiles as a distinctive area of cultural practice and a developing field of scholarly research. Revealing the full diversity of approaches to the study of textiles, the Reader introduces students to the theoretical frameworks essential to the exploration of the textile from both a critical and a creative perspective. Content is drawn from a wide range of genres - blogs, artists' statements and fiction, as well as critical writings - and organized in themed sections covering touch, memory, structure, politics, production and use. Each thematic section is separately introduced and concludes with a bibliography for further reading. The Textile Reader will be an invaluable resource for students of textile design, textile art, applied arts and crafts and material culture. Selected authors include Glenn Adamson, Anni Albers, Gilles Deleuze, Felix Guattari, Sarat Maharaj, Rozsika Parker, Sadie Plant, Peter Stallybrass, Alice Walker and Catherine de Zegher"--
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