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Gardens --- Gardens, English --- Nationalism --- Design --- History --- 712.03 --- -Gardens --- -Gardens, English --- -Nationalism --- -Consciousness, National --- Identity, National --- National consciousness --- National identity --- International relations --- Patriotism --- Political science --- Autonomy and independence movements --- Internationalism --- Political messianism --- Bric-a-brac gardens, English poetic --- English gardens --- English landscape gardens --- English natural gardens --- English picturesque gardens --- English poetic bric-a-brac gardens --- Landscape gardens, English --- Natural gardens, English --- Picturesque gardens, English --- Poetic bric-a-brac gardens, English --- Landscape architecture --- Landscape gardening --- Gardening --- Stijlen en scholen in de landschapsarchitectuur --- -History --- -Design --- -Styles --- -Stijlen en scholen in de landschapsarchitectuur --- -712.03 --- 712.03 Stijlen en scholen in de landschapsarchitectuur --- -712.03 Stijlen en scholen in de landschapsarchitectuur --- Consciousness, National --- Styles --- Gardens - England - Design - History - 19th century. --- Gardens - England - Design - History - 20th century. --- Gardens, English - History - 19th century. --- Gardens, English - History - 20th century. --- Nationalism - England - History - 19th century. --- Nationalism - England - History - 20th century.
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"This study of the modern London art market establishes the central importance of London for the development of the modern retail market in fine art. Leading experts track the emergence and development of the structures and practices that have come to characterize the commercial art system, including the commercial art gallery, the professional dealer, the exhibition cycle and its accompanying rhetoric of press coverage and publicity, and an international network for the circulation of goods. This new commercial system involved a massive transformation of the experience of viewing art; of the relationships between artists, dealers, collectors, art objects and audiences; and of the very criteria of aesthetic value itself. Its history is thus a vital part of the history of modern art, and this anthology will be of interest to art historians as well as scholars of Victorian Studies, Museum Studies, and Social History."--Publisher's description.
Art --- Economic relations. Trade --- anno 1800-1999 --- London --- History of the United Kingdom and Ireland --- History of civilization --- Art: persons --- anno 1910-1919 --- anno 1900-1909 --- anno 1930-1939 --- anno 1940-1949 --- anno 1800-1899 --- anno 1920-1929 --- Art dealers --- Marchands d'oeuvres d'art --- Economic aspects --- History --- Aspect économique --- Histoire --- Aspect économique --- Art dealers. --- Economic aspects. --- 1800-1999. --- England --- kunsthandel. --- kunstgalerijen. --- kunstkritiek. --- tijdschriften. --- Victoriaanse schilderkunst. --- The Studio (1893-1980). --- Goupil Gallery (Londen). --- Goupil, Adolphe. --- Fry, Roger. --- Lane, Hugh. --- Smith, Matthew. --- Millais, John Everett. --- Hunt, William Holman. --- Whistler, James Abbott McNeill. --- Rossetti, Dante Gabriel. --- 1850 - 1939. --- 19de eeuw. --- 20ste eeuw. --- Londen.
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Painting --- anno 1800-1899 --- Great Britain
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vrouw --- moeder (eerste graad familierelaties) --- maatschappijgeschiedenis --- sociale identiteit --- gender --- landschappen --- mythologie --- 19de eeuw --- 20ste eeuw --- Europa
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kunsthandel --- kunstgalerijen --- kunstkritiek --- tijdschriften --- Victoriaanse schilderkunst --- The Studio (1893-1980) --- Goupil Gallery (Londen) --- Goupil, Adolphe --- Fry, Roger --- Lane, Hugh --- Smith, Matthew --- Millais, John Everett --- Hunt, William Holman --- Whistler, James Abbott McNeill --- Rossetti, Dante Gabriel --- 1850 - 1939 --- 19de eeuw --- 20ste eeuw --- Londen
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