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Graphic artists --- Graphic arts --- Magazine design --- Commercial art --- Graphistes --- Arts graphiques --- Périodiques --- Art publicitaire --- Biography --- History --- Biographies --- Histoire --- Design --- Rand, Paul, --- Rand, Paul --- Steven Heller ; foreword by Armin Hofmann ; introduction by George Lois ; essay by jessica Helfand --- grafiek --- grafische- en reclamevormgeving --- grafisch design --- grafisch ontwerp --- Rand Paul --- IBM --- UPS --- corporate identity --- huisstijl --- posters --- affiches --- 766.071 RAND --- Paul Rand 1914-1996 (° Brooklyn, New York, USA) --- Grafische vormgevers ; reclame ; 20ste eeuw ; Paul Rand --- 766.07 --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- grafische vormgeving --- typography --- graphic design --- typografie --- Périodiques --- Criticism and interpretation. --- Art [Modern ] --- 20th century --- United States --- Pop art
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De Merz à Emigre et au-delà retrace l'histoire des magazines et des journaux culturels, artistiques et politiques d'avant-garde, parus depuis le début du XXe siècle et jusqu'à nos jours. Sont ici examinées les publications les plus novatrices en terme de graphisme qui, ces cent dernières années, ont rompu avec les conventions et permis la diffusion des idées des mouvements artistiques et politiques les plus radicaux. Ce livre présente un choix unique de périodiques européens et américains, dont Merz (années 20), La Révolution surréaliste (années 20), View (années 40), The East Village Other (années 60), Punk (années 70) et Emigre (années 90). La conception graphique de ces magazines, souvent tapageuse et anarchique, était aussi révolutionnaire que les idées qu'ils propageaient. La plupart étaient liés aux mouvements artistiques, littéraires et politiques d'opposition tels que dada, le surréalisme, le futurisme, l'école du Bauhaus, la nouvelle gauche américaine et le postmodernisme. De Merz à Emigre et au-delà s'intéresse à la typographie et la mise en pages de ces publications qui les distinguaient des médias populaires et replace les idées avant-gardistes qu'elles défendaient dans leur contexte artistique, culturel et politique.
Merz --- Emigre --- Mise en page --- Presse --- Typographie --- Magazine design --- Graphic design (Typography) --- History --- 20e siècle --- Panorama mondial --- twintigste eeuw --- kunst --- grafische vormgeving --- tijdschriften --- lay-out --- futurisme --- collages --- fotomontage --- de Stijl --- negentiende eeuw --- surrealisme --- dada --- Bauhaus --- vorticisme --- kunst en politiek --- 766.045 --- Graphic design (Typography). --- tijdschriftomslagen --- Graphic arts --- typografie --- typography --- Journalism --- Graphics industry --- graphic design --- Design, Magazine --- Periodical design --- Typographic design --- Design --- Printing --- Layout (Printing) --- 20th century --- Magazine design - History - 20th century
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Paul Rand (1914-1996) est l'une des figures pionnières dans le domaine des arts graphiques américain. Son travail se rapproche des idées d'avant-garde européennes comme le cubisme, le constructivisme et le mouvement De Stijl tout en produisant une démarche qui lui est très personnelle.
753 --- Rand, Paul --- boekillustraties --- grafische vormgeving --- huisstijl --- kinderboeken --- reclame --- grafische vormgeving , geschiedenis, grafische vormgevers afzonderlijk --- Art graphique --- Graphisme
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Cent ans de design graphique revisités à travers un choix de 108 oeuvres phares (affiches, couvertures de livres, publicités, pochettes de disques, etc.). Présentées en vis-à-vis de créations qui les ont influencées ou qui l'ont été par elles, elles témoignent des styles, thèmes et concepts, des méthodes, procédés et idées à l'oeuvre dans ce langage fait d'emprunts et de détournements.
Graphic arts --- Arts graphiques --- History --- Histoire --- Graphisme --- Design graphique --- Affiche --- Logotype --- Caractère --- Publicité --- Identité visuelle --- Edition --- Illustration, livre --- Presse
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"For designers, writing and research skills are more necessary than ever before, from the basic business compositions to critical writing. In this competitive climate, designers are routinely called upon to make words about the images and designs they create for clients. Writing about design is not just "trade" writing, but should be accessible to everyone with an interest in design. This book is a complete, introductory guide to various forms of research and writing in design--and how they explain visuals and can be visualized. These pages address communication on various levels and to all audiences:- Designers to Designers- Designers to Clients- Designers to the Design-literate- Designers to the Design-agnosticBeing able to express the issues and concerns of the design practice demands facts, data, and research. With Writing and Research for Graphic Designers, you'll learn how to turn information into a valuable asset-- one of the key talents of the design researcher"--
Commercial art --- Graphic arts --- Business writing. --- Research. --- Science --- Science research --- Scientific research --- Information services --- Learning and scholarship --- Methodology --- Research teams --- Business --- Authorship --- Business communication --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art --- Visual communication --- Advertising, Art in --- Advertising, Pictorial --- Advertising art --- Art, Commercial --- Art in advertising --- Commercial design --- Advertising --- Art and industry --- Posters --- Motion picture billboards --- Marketing. --- Research --- Business writing --- Marketing --- E-books
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Before defining the IBM company's graphic look in 1956, Paul Rand had never designed an entire corporate identity. The American graphic designer had created many trademarks for advertising clients, but IBM was his first foray into the conservative realm of big business communications, as well as a turning point for him. This manual offers an in-depth look at the further evolution of IBM's house style in the 1970s and '80s, from logotypes, fonts, numerals, and type specimens, to highly detailed information on imprinting binders, signage, packaging, and related material. It shows how the graphic designer selects and fits together material to produce visual relationships.Bron: https://www.copyrightbookshop.be/shop/ibm-eight-striped-logo-positive/
Art graphique --- Design --- Design graphique --- Symbole graphique --- Rand, Paul --- Grafische vormgeving --- Logo --- Ontwerp --- Typografie --- Lettertype --- Verpakking
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Here is a powerful compass to teaching design in a digital environment! In this guide, more than 50 cutting-edge e-design experts discuss everything educators and students need to know on the road from traditional graphic design to e-design education. Conveniently organized in eight sections, The Education of an e-Designer includes fourteen proven-successful syllabi covering everything from basic needs courses like web design and digital imaging to more specialized areas of study such as game design and motion graphics. Readers will find professional advice for incorporating digital technology requirements into the schedule, designing information for online use, becoming familiar with the digital work culture, and designing animation, to name just a few. With its expert guidance, this book is like having a manifesto, field guide, and teaching aide all in one place! (http://www.allworth.com)
Art graphique --- Design graphique --- Enseignement --- Multimédia --- Pédagogie --- Site web --- Web sites --- Multimedia systems --- Graphic arts
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Advertising. Public relations --- erotiek --- stereotype --- reclameboodschappen --- typografie
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A series of cartoons on the following items: nuclear armament, war, MX missiles, arms race and arms control.
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