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Films that work : industrial film and the productivity of media
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ISBN: 9789089640130 9089640126 9789089640123 9089640134 9789048502264 9048502268 9786612401640 1282401645 Year: 2009 Publisher: Amsterdam : Amsterdam University Press,


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Films that work : industrial film and the productivity of media
Authors: ---
ISBN: 9789089640130 9789089640123 Year: 2009 Publisher: Amsterdam Amsterdam University Press

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Filmische Mittel, industrielle Zwecke : das Werk des Industriefilms
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ISBN: 9783930916825 Year: 2007 Publisher: Berlin : Vorwerk 8,

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Jean-Luc Godard : Film Denken Nach der Geschichte des Kinos
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ISBN: 3846758930 Year: 2023 Publisher: Paderborn, Deutschland : Brill Fink,

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In einem Moment der Mediengeschichte, in dem der Film nicht mehr nur im Kino, sondern in allen Medien auftritt, nimmt der vorliegende Band das Werk des französischen Regisseurs Jean-Luc Godard zum Ausgangspunkt für eine vielstimmige Reflexion über die Geschichten und die Zukünfte des Kinos. Wohl mehr als jeder andere Regisseur hat Godard sich bemüht, die Geschichte des Kinos im Medium selbst zu schreiben, etwa in seinem monumentalen Filmessay Histoire(s) du cinéma. Und mehr als jeder andere Regisseur hat Godard immer wieder die Frage gestellt, was nach dem Kino kommt: Wie es mit der Geschichte der Kunst nach dieser »Erfindung ohne Zukunft«, wie Louis Lumière es einmal formulierte, weitergeht. Zugleich schreibt Godard dem Kino im 20. und 21. Jahrhundert eine besondere Rolle der historischen Zeugenschaft zu, was seinem Werk eine Relevanz weit über den Horizont einer Geschichte der Kunstform Film hinaus verleiht.


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The State of Post-Cinema : Tracing the Moving Image in the Age of Digital Dissemination
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ISBN: 1137529393 1137529385 Year: 2016 Publisher: London : Palgrave Macmillan UK : Imprint: Palgrave Macmillan,

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This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the photochemical recording and replay of movement. Most often, the state of post-cinema is conceptualized from the "high end" of the most advanced technology; discussions usually focus on performance capture and digital 3-D, 4-K projection and industrial light & magic. Here, the authors' approach is focused on the "low-end" of the circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms, so called “piracy” with a special focus on the Middle East and North Africa, where political and social transformations make new forms of circulation and presentation particularly visible.


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Spaces of Communication : Elements of Semio-Pragmatics
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ISBN: 9048538661 Year: 2021 Publisher: Amsterdam : Amsterdam University Press,

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Semio-pragmatics, an approach to the study of film and audiovisual media first proposed by Roger Odin in the early 1980s, shifted the focus from textual analysis to the interaction of text and context and to the institutional modes of framing and reading which shape the viewer’s engagement with the film. A response to an impasse in post-1968 film semiotics and psychoanalytical approaches to film spectatorship, semio-pragmatics contributed significantly to the further development of film studies alongside Cultural Studies, neo-formalism, historical reception studies and the phenomenology of film. Spaces of Communication offers a concise introduction to semio-pragmatics and condenses the intellectual trajectory of one of the foundational figures of film studies into a relatively short and accessible volume. It is a book which testifies to the author’s deep and rich intellectual engagement with a vast array of objects ranging from the classics of the cinephile canon to television news programs, home movies and mobile phone films.


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Films that work harder : the circulation of industrial film
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ISBN: 9789462986534 Year: 2023 Publisher: Amsterdam : Amsterdam University Press,

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What unleashed the forces of global capitalism which continue to shape the world that we live in? Economists and economic historians variously point to innovations in logistics and trade, the emergence of a new set of business-friendly values and the emergence of new forms of applied knowledge in early modernity to solve this riddle. This book focuses on the moving image as a factor of economic development. In a series of in-depth cases studies at the intersection of film and media studies, science and technology studies and economic and social history, Films That Work Harder: The Circulations of Industrial Film presents an in-depth, global perspective on the dynamic relationship between film, industrial organization and economic development. Bringing together new research from leading scholars from Europe, Asia, Australia and North America, this book combines the state of the art in the field with an agenda for a future research.


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Orte filmischen Wissens : Filmkultur und Filmvermittlung im Zeitalter digitaler Netzwerke
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ISBN: 9783894725266 Year: 2011 Publisher: Marburg Schüren

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Film


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The State of Post-Cinema : Tracing the Moving Image in the Age of Digital Dissemination
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ISBN: 9781137529398 Year: 2016 Publisher: London Palgrave Macmillan UK :Imprint: Palgrave Macmillan

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This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the photochemical recording and replay of movement. Most often, the state of post-cinema is conceptualized from the "high end" of the most advanced technology; discussions usually focus on performance capture and digital 3-D, 4-K projection and industrial light & magic. Here, the authors' approach is focused on the "low-end" of the circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms, so called “piracy” with a special focus on the Middle East and North Africa, where political and social transformations make new forms of circulation and presentation particularly visible.


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Tracks from the Crypt
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Year: 2019 Publisher: Lüneburg, Germany : Meson Press,

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David Bowie's 2015 'Blackstar' has been understood by critics and fans alike to have a certain valedictory status. For them, perhaps for us, it is a 39-minute and 13-second farewell. A long goodbye. My angle is different. By situating the Bowie/Renck collaboration on "Lazarus" in the context of a meditation on the question once posed by Georg Stanitzek, "Was ist Kommunikation?" I consider the CD and the video as experiments in re-configuration. More specifically, by thinking about the distinctly cinematic iteration of the question of communication (citing here Captain's "what we have here is ... failure to communicate" from 'Cool Hand Luke') I propose that mediated communication embodies the Ich/Es modality of dialogue disparaged by Martin Buber. What this invites us to consider is whether "Lazarus" in particular isn't the generation of an audiovisual tombeau from which or out of which communication strains are to be heard. Is it "saying" farewell? Is it "saying" anything? By drawing on Jacques Derrida's appropriation of the crypt in the work of Abraham and Torok, I propose that "Lazarus" manages (and the feat is neither small nor insignificant) to communicate nothing. In effect, "Lazarus" is the very sound, not of a failure to communicate, but of a "speaking" emptied of what protects it from mediation. Here, Bowie's gnomic persona assumes a political valence not typically ascribed to it.

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Humanities. --- Journalism.

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