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Stilistics --- Language and languages --- Stylistique --- Style
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Stilistics --- College readers --- English language --- Stylistique --- --Style --- Problems, exercises, etc --- -College readers --- University readers --- American literature --- English literature --- Literature --- Readers --- Germanic languages --- Style --- -Problems, exercises, etc --- Style&delete& --- English language - Style - Problems, exercises, etc
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Stilistics --- English language --- Anglais (Langue) --- Style --- Problems, exercises, etc --- Stylistique --- Problèmes et exercices --- Problems, exercises, etc. --- 802.0-07 --- -Germanic languages --- Engels: taalonderwijs; taalverwerving --- -Problems, exercises, etc --- -Engels: taalonderwijs; taalverwerving --- 802.0-07 Engels: taalonderwijs; taalverwerving --- -802.0-07 Engels: taalonderwijs; taalverwerving --- Problèmes et exercices --- Germanic languages --- Style&delete& --- English language - Style - Problems, exercises, etc.
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This is the first full-length study of masculinity in Stalinist Soviet cinema. A detailed analysis of Stalinist discourse examines the imagined relationship between the patriarch Stalin and his "model sons" in the key genre cycles of the era: from the capital to the collective farms, and ultimately to the very borders of the Soviet state. Informed by contemporary and present day debates over the social and cultural significance of cinema and masculinity, this book draws on a range of theoretical and comparative material to produce engaging and accessible readings accounting for both the appeal of--and the inherent potential for subversion within--films produced by the Stalinist culture industry.
Hommes dans le cinéma --- Mannelijkheid in de film --- Mannen in de film --- Masculinity in motion pictures --- Masculinité dans le cinéma --- Men in motion pictures --- Role selon le sexe dans le cinéma --- Sex role in motion pictures --- Sexuele rolpatronen in de film --- Motion pictures --- Masculinity in motion pictures. --- Men in motion pictures. --- Sex role in motion pictures. --- History. --- History --- Soviet Union
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African poetry (English) --- English language --- History and criticism. --- Variation --- Style
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Bentonite --- Geology, Stratigraphic --- Geology --- Ordovician Period --- Amargosite --- Gumbrin --- Mineral soap --- Soap clay --- Volcanic clay --- Clay --- Igneous rocks
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Images of Beckett combines John Haynes' unique repertoire of photographs of Beckett's dramatic opus alongside three newly written essays by Beckett's biographer and friend, James Knowlson. Haynes captures images of Beckett's work in progress and performance and includes hitherto unknown portraits of Beckett himself. Haynes was privileged to be present at the Royal Court Theatre, London, when Beckett directed his own plays. Amongst the 75 plates are compositions that include the leading interpreters of the plays. Knowlson's first essay combines a verbal portrait of Beckett with a personal memoir of the writer; the second considers the influence of paintings that Beckett loved or admired on his theatrical imagery; and the third offers a detailed, often first-hand, account of Beckett's work as a director of his own plays. The essays are the result of personal conversations with Beckett and attendance at rehearsals, and provide a privileged glimpse into the world of one of the theatre's most influential and enduring playwrights.
Authors, Irish --- Art and literature --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- Beckett, Samuel, --- Beckett, Samuel --- Pei-kʻo-tʻe, Sa-miao-erh, --- Beḳeṭ, Samuel, --- Beckett, Sam, --- Беккет, Сэмюэль, --- בעקעט, סאמועל --- בקט, סמואל --- בקט, סמואל, --- بكت، ساموئل --- Bikit, Sāmūʼil, --- Stage history --- Dramatic production. --- Knowledge
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