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Inhoudsopgave : -- Introduction : rethinking neoclassical translation theory -- 1. From the Academy to Port-Royal -- 2. Transmigration, transmutation, and exile -- 3. Temporality and subjectivity : Dryden's "Dedication of the Aeneis" -- 4. Meaning and modernity : Anne Dacier and the Homer debate -- 5. Gender, signature, authority -- 6. From "A light in antiquity" to enlightened antiquity : modern Classicists -- 7. "Adventures in print" : modern classics -- Conclusion : historicizing translation
Theory of literary translation --- Classical literature --- Sociology of literature --- France --- Great Britain --- Literature and society --- Literature --- Translating and interpreting --- Vertalen --- Translations into English. --- Translations into French. --- History. --- History and criticism. --- Frankrijk --- geschiedenis --- Groot-Brittannië --- 82.03 --- Vertalen. Literaire vertaling --- 82.03 Vertalen. Literaire vertaling --- geschiedenis. --- Interpretation and translation --- Interpreting and translating --- Language and languages --- Translation and interpretation --- Translators --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Literature, Classical --- Literature, Ancient --- Greek literature --- Latin literature --- Translations into English --- Translations into French --- History --- History and criticism --- Translating --- Appraisal --- Evaluation --- Social aspects --- Translating and interpreting - France - History --- Translating and interpreting - England - History --- Classical literature - Translations into French --- Classical literature - Translations into English --- Literature - History and criticism --- Literature and society - France - History --- Literature and society - England - History
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The bourgeois drama of ""serious genre"" was one of the major innovative literary forms of the French Enlightenment, but it has been largely excluded from the canon today. In a study drawing on contemporary and 18th-century literary theory and philosophy, social history and history of the theatre, Hayes presents a reading of the dramas of Diderot and Sade and argues for a new understanding of the genre as a whole. A disparate group as they were, the ""drame's"" practitioners share a new approach to personal identity as relational and derived from the workings of the social network - a notion o
French drama --- 18th century --- History and criticism --- Domestic drama [French ] --- Diderot, Denis --- Dramatic works --- Sade --- Identity (Psychology) in literature --- Middle class in literature --- Sentimentalism in literature --- Domestic drama, French --- Identity (Psychology) in literature. --- Middle class in literature. --- Sentimentalism in literature. --- Middle classes in literature --- French domestic drama --- History and criticism. --- Diderot, Denis, --- Sade, --- Marquis de Sade, --- Sad, --- Sade, D.-A.-F. --- Sade, Donatien Alphonse François, --- Sade, Donatien-Alphonse-François, --- סדגרוב, ג׳ודי, --- Dramatic works. --- D..., --- Didero, Deni --- Diderot --- Diderot, Pantophile --- Didro, Deni --- D̲intero, D̲eni --- דידרו, דני --- דידרו, דני, --- Dīdiraw --- Dīdirū --- ديدرو --- de Sade, Donatien Alphonse François --- Sade, Donatien Alphonse François de --- Donatien Alphonse François de Sade
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In this 1999 book, Julie Candler Hayes offers an ambitious reinterpretation of a crucial aspect of Enlightenment thought, the rationalizing and classifying impulse. Taking issue both with traditional liberal and contemporary critical accounts of the Enlightenment, she analyses the writings of Denis Diderot, Emilie Du Châtelet, the Abbé de Condillac, Buffon, d'Alembert and numerous others, to argue for a new understanding of 'systematic reason' as complex, paradoxical and ultimately liberating. Hayes examines the tensions between freedom and constraint, abstraction and materialism, linear and synoptic order, that pervade not only philosophic and scientific discourse, but also epistolary writing, fiction and criticism. Drawing on the insights of a wide range of theorists from Adorno, Habermas and Foucault to Deleuze and Derrida, she offers a dialogue between the eighteenth century and our own, an ongoing exploration of the question, 'what is Enlightenment?'.
Enlightenment --- France --- Intellectual life --- Arts and Humanities --- Literature --- Enlightenment - France. --- France - Intellectual life - 18th century.
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This book examines the contributions of seventeenth and eighteenth-century French women philosophers and intellectuals to moralist writing. Moralist writing, a distinctively French genre, draws on philosophical and literary traditions extending back to classical antiquity. Closely connected to salon culture and influenced by Augustinianism, it engages social and political questions, epistemology, moral psychology, and virtue ethics. The first half of the book analyses women's use of moralist forms such as the essay, maxim, and "character" or portrait to explore classical topics: self-knowledge and knowledge of the self, the ethics and obligations of friendship, the relation of the passions to happiness. The second half focuses on topics that relate directly to women's lifeworld: the critique of the institution of marriage, the status of older women, and the question of women's nature and capabilities. Each chapter traces the evolution of women's moralist thought from the late seventeenth century to the Enlightenment and the decades immediately following the French Revolution, a period of tremendous change in the horizon of possibilities for women as public figures and intellectuals. --
Morale moderne. --- Intellectuelles. --- Femmes philosophes. --- Ethics, Modern. --- Women philosophers. --- Women intellectuals. --- France --- France --- History
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Science --- anno 1700-1799 --- Encyclopédie --- Criticism and interpretation --- Encyclopedias and dictionaries, French --- History and criticism --- Encyclopédie --- French encyclopedias and dictionaries --- Encyclopédie. --- Encyclopédie, ou, Dictionnaire raisonné des sciences, des arts et des métiers --- Dictionnaire raisonné des sciences, des arts et des métiers --- Encyclopédie; ou Dictionnaire raisonné des sciences --- Dictionnaire des sciences, des arts et des métiers --- Encyclopedias and dictionaries, French - History and criticism
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Châtelet, du [Mme] --- Women authors, French --- Enlightenment --- Philosophy, French --- Science --- Ecrivaines françaises --- Siècle des Lumières --- Philosophie française --- Sciences --- History --- Histoire --- Du Châtelet, Gabrielle Emilie Le Tonnelier de Breteuil, --- Voltaire, --- Philosophy --- Du Chatelet, Gabrielle Emilie Le Tonnelier de Breteuil, --- Ecrivaines françaises --- Siècle des Lumières --- Philosophie française --- Du Châtelet, Gabrielle Emilie Le Tonnelier de Breteuil, --- Breteuil, Gabrielle Emilie Le Tonnelier de, --- Châtelet, Gabrielle Emilie Le Tonnelier de Breteuil, --- De Breteuil, Gabrielle Emilie Le Tonnelier, --- Du Chastelet, --- Du Châtelet, Emilie, --- Du Châtelet-Lomont, Gabrielle Emilie Le Tonnelier de Breteuil, --- DuChâtelet, Gabrielle-Emilie, --- Le Tonnelier de Breteuil, Gabrielle Emilie, --- Lomont, Gabrielle Emilie Le Tonnelier de Breteuil, --- Tonnelier de Breteuil, Gabrielle Emilie de, --- Philosophy - History - 18th century --- Science - History - 18th century --- Du Chatelet, Gabrielle Emilie Le Tonnelier de Breteuil, - marquise, - 1706-1749 --- Châtelet, du, Émilie
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