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By tracing the evolution of farce from Pantagruel and Gargantua through the Tiers and Quart livres, Bruce Hayes makes an important contribution to the understanding of Rabelais' writing, and of farce's literary possibilities. He distinguishes Rabelais's use of farce from the conservative tradition, showing how the French writer used it as a vehicle to attack the status quo and to suggest alternatives to contemporary legal, educational, and theological systems.

French drama (Comedy) --- Farce --- Comic literature --- Literature, Comic --- Burlesque (Literature) --- Comedy --- Drama --- History and criticism. --- Rabelais, François, --- Rabelais, François --- Alcofribas --- Alcofribas, --- Alcofribas Nasier --- Rabelais, François, --- Alcofrybas --- Alcofrybas Nasier --- Nasier, Alcofribas --- Rabelais, Francis --- Rabelais, François --- Rabelais François --- Rabelais, Frants --- Rabelais, Franz --- Rable, Fransua --- Rampelai, Phransoua --- Рабле, Франсуа, --- ראבלע, פ. --- Рабле, Франсоа --- Rable, Fransoa --- Criticism and interpretation. --- Rabelais, Francois,

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Anthropology --- #SBIB:316.21H51 --- #SBIB:39A3 --- Human beings --- Theoretische sociologie: structuralisme, poststructuralisme --- Antropologie: geschiedenis, theorie, wetenschap (incl. grondleggers van de antropologie als wetenschap) --- Lévi-Strauss, Claude. --- Philosophical anthropology --- Ethnology. Cultural anthropology --- Lévi-Strauss, Claude --- Lévi-Strauss, Claude --- Levi-Stros, Klod --- Strauss, Claude Lévi --- -Shtrāwus, Klūd Līvī --- Lebi-Sŭtʻŭrosŭ --- Klūd ,Līfī Strūs --- Lévy-Strauss, Claude --- לוי־שטראוס, קלוד --- ليفي ستروس, كلود --- Liwei- shituo, Kelaode --- Primitive societies --- Social sciences --- 李維史陀

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Biddeford (Me.) --- Maine