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At the heart of Wolfram von Eschenbach's Willehalm are Saracens: instrumental figures in the driving themes of conquest, loyalty, vassalage, chivalry, love-service and redemption that run through the text. When compared with Wolfram's French sources, La Prise d'Orange and Aliscans, Willehalm is revealed to be innovative yet true to the themes and figures of the original chansons de geste, indicating that Wolfram continued the retelling process that also played a part in the composition of his French sources. This book explores the role of Saracens in these texts, the implications of their conversion to Christianity and the portrayal of the ideals of chivalry as their depiction undergoes development from twelfth-century France to thirteenth-century Germany. The text begins with the cultural-historical setting and the development of key ideals and concepts and then analyses the Saracen figures in the texts, presenting an integrated reading of Willehalm and its source material and revealing Wolfram's intentions in his depiction of Saracens.

Chanson de gestes --- Littérature allemande --- XIIe s., 1101-1200 --- Wolfram, 12th cent. --- Wolfram, - von Eschenbach, - 12th cent.

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This volume presents evidence of the extent and effects of intercultural contacts across Europe and the Mediterranean rim, opening up a new understanding of early medieval civilisation and its continuing influence in both Western and Eastern cultures today. From the perspectives of textual transmission, cultural memory, religion, art and cultural traditions, this work explores the central question of how ideas travelled in the medieval world, challenging the conventional notion of insular communities in the Middle Ages. Despite the schism between East and West that took hold after the thirteenth century this volume reveals a rich and extensive cultural exchange and demonstrates that transmission of ideas and culture across borders began much earlier than the Crusades. It contributes to new perspectives on medieval cities, Christian Europe's history with the Byzantine and Islamic Mediterranean, the landscape of power and the power-plays of the medieval Church, and the way in which cross-cultural transmission affected all of these areas.

Communication interculturelle --- Civilisation médiévale. --- Europe --- Méditerranée (région) --- Relations extérieures --- Civilisation médiévale. --- Relations extérieures