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This superb book presents 100 notable examples from the Harvard Art Museums' distinguished collection of Dutch, Flemish, and Netherlandish drawings from the 16th to 18th century. Featuring such masters as Pieter Bruegel the Elder, Peter Paul Rubens, and Rembrandt van Rijn, the volume showcases beautiful color illustrations accompanied by insightful commentary on prevalent styles and techniques. Genres that define this artistic period-landscape, scenes of everyday life, portraiture, and still life-are explored in detail. The book also presents the results of new conservation and technical study, including infrared analysis and scientific examinations of drawing materials. This revelatory new research has allowed previously illegible underdrawings and inscriptions in many of the artworks to surface for the first time, shedding light on longstanding mysteries of production and provenance.

Drawing --- Bruegel, Pieter [Elder] --- Rembrandt --- Rubens, Peter Paul --- Harvard Art Museums [Cambridge, Mass.] --- anno 1500-1799 --- anno 1400-1499 --- Netherlands --- Flanders --- Drawing, Dutch --- Drawing, Flemish --- Drawing, Dutch. --- Drawing, Flemish. --- Bruegel, Jan (de oude), --- Bruegel, Pieter (de oude), --- Harvard Art Museums --- Massachusetts --- Harvard University Art Museums (Cambridge-Massachusetts) --- 1470 - 1800 --- tekeningen --- 15de eeuw --- 16de eeuw --- 17de eeuw --- 18de eeuw --- 19de eeuw --- Nederlanden --- Drawing. --- Rubens, Peter Paul, --- Rembrandt, --- Harvard Art Museums. --- Harvard University Art Museums (Cambridge-Massachusetts). --- tekeningen. --- 1470 - 1800. --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- Nederlanden. --- tekenkunst, Nederlanden

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"Throughout the sixteenth and seventeenth centuries, amid enormous expansion in global commerce and colonization, landscape drawing played a key role in forging Dutch national identity. Featuring works on paper by Rembrandt, Bruegel, and Ruisdael, among dozens of other artists, this study examines how a hyperlocal impulse in many of these drawings inspired domestic pride and a sense of connection to the land, as they also reflected aspects of the broader ecological and social change taking place. Incisive essays offer close readings that push our understandings of these artists and their work in important new directions, including eco-criticism, land use and environmentalism, race, and class."--

Drawing --- drawings [visual works] --- art collections --- landscapes [representations] --- Abrams, George --- Abrams, Maida --- Harvard Art Museums [Cambridge, Mass.] --- anno 1500-1599 --- anno 1600-1699 --- Netherlands --- Drawing, Dutch --- Art --- Drawing. --- Drawing, Dutch. --- Private collections --- Private collections. --- Abrams, George. --- Abrams, Maida. --- Art collections --- 1600-1699 --- Massachusetts --- Netherlands. --- Drawings --- Sketching --- Graphic arts --- Illustration of books --- Manual training --- landschappen --- tekeningen --- Harvard University Art Museums (Cambridge-Massachusetts) --- verzameling Maida en George Abrams --- 16de eeuw --- 17de eeuw --- Nederlanden --- landschap, Nederlanden --- landschappen. --- tekeningen. --- Harvard University Art Museums (Cambridge-Massachusetts). --- verzameling Maida en George Abrams. --- 16de eeuw. --- 17de eeuw. --- Nederlanden.

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Jian ware --- Pottery, Chinese

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sculpting --- children [people by age group] --- Sculpture --- moeder en kind --- heads [representations] --- wax --- Iconography --- Homo sapiens [species] --- Rosso, Medardo --- anno 1900-1999 --- Italy --- techniek --- Exhibitions --- human figures [visual works] --- techniek. --- Rosso, Medardo. --- kleinsculptuur