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Art styles --- anno 1910-1919 --- anno 1920-1929 --- anno 1900-1909 --- England --- Art, English --- Modernism (Art) --- Art, English - 20th century --- Modernism (Art) - England

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History --- Painting --- art history --- art [fine art] --- Conceptual --- Art styles --- art theory --- painting [image-making] --- Art --- Modernist --- Art & Language --- anno 1900-1999 --- Great Britain --- Art & Langage (Groupe) --- Art & Language (Group) --- Kunst & Taal (Groep) --- Modernism (Art) --- Modernisme (Art) --- Modernisme (Kunst) --- Art, Modern --- Conceptual art --- Modernism (Art). --- England --- Art [Modern ] --- 20th century --- art [discipline]

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The picture plane of a painting creates boundaries and perspectives. It governs the relationship of daubs of pigment on a canvas to reality, allowing the viewer to connect with the imagined world of a work of art. Charles Harrison's latest endeavor, 'Painting the Difference', explores the role of the picture plane in modern painting and the relationships it creates among the artist, the subject, and the spectator. One of the most respected teachers and theorists of modern art, Harrison here offers a bold interpretation of the Modernist canon that uncovers the significance of gender to the functioning of the picture plane. Arguing that the representation of women in art was crucial to the character of modernity, Harrison traces the history of female subjects as they began to gaze out of the picture to confront and engage their viewers. Combining sweeping conceptual history with telling investigations into the details of particular paintings, 'Painting the Difference' deciphers the implications of sexual difference for the development of nineteenth- and twentieth-century art. Harrison shows how artists, reflecting the underlying anxieties of the time about gender, used female subjects' gazes both to create a sexualized relationship between these subjects and their viewers, and to simultaneously question that relationship. In considering works by artists such as Renoir, Manet, Degas, Cezanne, Picasso, and Matisse, as well as Rothko, Warhol, Cindy Sherman, and many more, Harrison incorporates elements of cultural criticism and social history into his arguments, and generous color illustrations permit the reader to test Harrison's claims against the works on which they are based. Rich with detail and compelling analysis, 'Painting the Difference' offers cutting-edge interpretation grounded in the reality of magnificent works of art.

Art --- Sociology of the family. Sociology of sexuality --- anno 1800-1999 --- Gender identity in art. --- Painting, Modern --- Sex role in art. --- Themes, motives. --- Picasso, Pablo --- Cassatt, Mary --- Renoir, Auguste --- Cézanne, Paul --- Morisot, Berthe Marie Pauline --- Matisse, Henri --- Rothko, Mark --- Bonnard, Pierre --- Degas, Edgar --- anno 1900-1999 --- anno 1800-1899 --- Manet, Edouard --- Gender --- Sex --- Painting --- Images of women --- Book

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7.01 --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Art, Modern --- Art --- Modern art --- Philosophy --- kunsttheorie --- kunstfilosofie --- 1648 - 1990 --- 17de eeuw --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- Philosophy. --- achttiende eeuw --- ed. by Charles Harrison, Paul Wood and Jason Gaiger --- esthetica --- kunst --- naslagwerk --- negentiende eeuw --- zeventiende eeuw --- Nieuwe Ploeg (Group of artists) --- 1648 - 1990. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw.