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Gender and Modern Irish Drama argues that the representations of sacrificial violence central to the work of the Abbey playwrights are intimately linked with constructions of gender and sexuality. Susan Cannon Harris goes beyond an examination of the relationship between Irish national drama and Irish nationalist politics to the larger question of the way national identity and gender identity are constructed through each other. Radically redefining the context in which the Abbey plays were performed, H
Women in literature. --- Sex role in literature. --- Human body in literature. --- Feminist drama, English --- English drama --- Feminism and literature --- Women and literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Body, Human, in literature --- Human figure in literature --- Literature --- History and criticism. --- History --- Irish authors --- Women authors --- Yeats, W. B. --- Yeats, William Butler --- D. E. D. I., --- Daemon Est Deus Inversus, --- Ganconagh, --- I., D. E. D., --- Йейтс, У. Б. --- Ĭeĭts, U. B. --- Йейтс, Уильям Батлер, --- Ĭeĭts, Uilʹi︠a︡m Batler, --- Weilian Batele Yezhi, --- Yeṭs, Ṿilyam Baṭler, --- יטס, יטלאם בטלר --- ייטס, ויליאם בטלר, --- 威廉,巴特勒,叶芝, --- Characters --- Women. --- Dramatic works. --- Ireland --- In literature. --- Literature and feminism
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Irish Drama and the Other Revolutions shows how Irish playwrights mediated between the sexual and the socialist revolutions, and traces their impact on left theatre in Europe and America from the 1890s to the 1960s.
English drama --- Politics and literature --- Literature --- Literature and politics --- Irish authors --- History and criticism. --- History. --- Political aspects --- Ireland. --- Airlann --- Airurando --- Éire --- Irish Republic --- Irland --- Irlanda --- Irlande --- Irlanti --- Írország --- Poblacht na hÉireann --- Republic of Ireland
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Politics --- Literature --- Ireland
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