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National movements --- Western Europe --- -329.18 <4> --- 329.51 <4-15> --- -Conservatism --- Conservatism --- Fascism --- Racism --- 329.18 <4> --- #SBIB:321H81 --- Westerse politieke en sociale theorieën vanaf de 19e eeuw : nationalisme, corporatisme, fascisme, nationaal socialisme, rechtsextremisme, populisme --- Europe --- Politics and government --- 1945 --- -Conservatism - Europe. --- Fascism - Europe. --- Racism - Europe. --- Europe - Politics and government - 1945 --- -National movements --- Conservatism - Europe. --- Europe - Politics and government - 1945-
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Painting --- History --- diplomacy --- Rubens, Peter Paul --- anno 1600-1699 --- Flanders
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Conservatism --- Fascism --- Racism --- Europe --- Politics and government
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Theory of literary translation --- Translation science --- French literature --- Film --- Motion picture plays --- French language --- Motion pictures --- Translations into English --- History and criticism --- Translating --- Translating into English --- 82.03 --- Vertalen. Literaire vertaling --- Franse films --- Franse letterkunde --- Literaire vertalingen uit het Frans --- ondertiteling --- vertalen --- Littérature française --- Français (Langue) --- Cinéma --- Traductions anglaises --- Histoire et critique --- Traduction en anglais --- Literaire vertalingen uit het Frans. --- ondertiteling. --- vertalen. --- 82.03 Vertalen. Literaire vertaling --- Littérature française --- Français (Langue) --- Cinéma --- History and criticism. --- French literature - Translations into English - History and criticism --- Motion picture plays - Translating --- French language - Translating into English --- Motion pictures - France --- Translating and interpreting --- twintigste eeuw --- film --- vertaling --- 791.41 --- KFL --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Translations --- Scénarios de cinéma --- Translations. --- Translating into English. --- Traductions
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André Malraux's output, spanning some 55 years, ranges from novels to philosophical essays, studies on the plastic arts and memorialist essays. The present volume is significantly innovative in that it sets out to elucidate this diversity by focusing, for the first time and from a variety of perspectives, on the erosion of boundaries which characterises Malraux's work. This erosion is multi-faceted and includes the crossing of genre boundaries; the appropriation of the literary text as political vehicle; the exploitation of the literary text as historical document; contemporary history as a source of literary texts; the slippage between autobiography and the novel, autobiography and the memorialist essay and between fiction and the memorialist essay. Contributors to this volume explore the complex relationship between fact and fiction underpinning Malraux's writing, and also his life. An understanding of Malraux's determination to ignore boundaries is crucial to the understanding of his life and work. In this respect the present study will interest academics and students, both undergraduate and postgraduate, of French literary and cultural studies.
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General ethics --- Aesthetics --- Malraux, André
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