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Temporal power of religious rulers --- Bishops --- Church and state --- Pouvoir temporel des chefs religieux --- Evêques --- Eglise et Etat --- History --- History --- Histoire --- Histoire --- Great Britain --- Great Britain --- England --- Grande-Bretagne --- Grande-Bretagne --- Angleterre --- Politics and government --- History --- Church history --- Politique et gouvernement --- Histoire --- Histoire religieuse

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This edited volume focuses on the cultural production of knowledge in the academy as mediated or presented through film and television. This focus invites scrutiny of how the academy itself is viewed in popular culture from The Chair to Terry Pratchett's ‘Unseen University’ and Doctor Who's Time Lord Academy among others. Spanning a number of genres and key film and television series, the volume is also inherently interdisciplinary with perspectives from History, Cultural Studies, Gender Studies, STEM, and more. This collection brings together leading experts in different disciplines and from different national backgrounds. It emphasises that even at a point of mass, global participation in higher education, the academy is still largely mediated by popular culture and understood through the tropes perpetuated via a multimedia landscape. Dr Richard Scully, BA (Hons), PhD (Monash), FRHistS is Associate Professor in Modern History at the University of New England, Australia. His research focuses on the history of cartoons, caricature, and graphic satire. He has co-edited four collections of essays, including two volumes on Australia’s migrant and minority press for Palgrave Macmillan. Professor Marcus Harmes is Associate Director Research at the University of Southern Queensland College, Australia, and teaches legal history in the law degree. He has published extensively in the fields of religious and political history, with a particular emphasis on British religious history and constitutional history.

Motion pictures. --- Television broadcasting. --- Education, Higher. --- Film and Television Studies. --- Higher Education. --- College students --- Higher education --- Postsecondary education --- Universities and colleges --- Telecasting --- Television --- Television industry --- Broadcasting --- Mass media --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Performing arts --- Education --- History and criticism

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This book will be the first systematic and comprehensive text to analyze the many and contrasting appearances of the Church of England on television. It covers a range of genres and programs including crime drama, science fiction, comedy, including the specific genre of ‘ecclesiastical comedy’, zombie horror and non-fiction broadcasting. Readers interested in church and political history, popular culture, television and broadcasting history, and the social history of modern Britain will find this to be a lively and timely book. Programs that year after year sit enshrined as national favourites (for example Dad’s Army and Midsomer Murders) foreground the Church. From the Queen’s Christmas Message to royal weddings and Coronation Street, the clergy and services of England’s national church abound in television. This book offers detailed analysis of landmark examples of small screen output and raises questions relating to the storytelling strategies of program makers, the way the established Church is delineated, and the transformation over decades of congregations into audiences.

Television programs --- Motion pictures—Great Britain. --- Ethnology—Europe. --- Religion and sociology. --- British Cinema and TV. --- British Culture. --- Religion and Society. --- Religion and society --- Religious sociology --- Society and religion --- Sociology, Religious --- Sociology and religion --- Sociology of religion --- Sociology --- Motion pictures --- Ethnology

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The Handbook of Incarceration in Popular Culture will be an essential reference point, providing international coverage and thematic richness. The chapters examine the real and imagined spaces of the prison and, perhaps more importantly, dwell in the uncertain space between them. The modern fixation with ‘seeing inside’ prison from the outside has prompted a proliferation of media visions of incarceration, from high-minded and worthy to voyeuristic and unrealistic. In this handbook, the editors bring together a huge breadth of disparate issues including women in prison, the view from ‘inside’, prisons as a source of entertainment, the real worlds of prison, and issues of race and gender. The handbook will inform students and lecturers of media, film, popular culture, gender, and cultural studies, as well as scholars of criminology and justice.

Sociology of culture --- Criminology. Victimology --- Criminal law. Criminal procedure --- Mass communications --- Film --- Television play --- populaire cultuur --- TV (televisie) --- straffen en belonen --- massamedia --- seksuologie

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This book considers how legal history has shaped and continues to shape our shared present. Each chapter draws a clear and significant connection to a meaningful feature of our lives today. Focusing primarily on England and Australia, contributions show the diversity of approaches to legal history's relevance to the present. Some contributors have a tight focus on legal decisions of particular importance. Others take much bigger picture overview of major changes that take centuries to register and where impact is still felt. The contributors are a mix of legal historians, practising lawyers, members of the judiciary, and legal academics, and develop analysis from a range of sources from statutes and legal treatises to television programs. Major legal personalities from Edward Marshall Hall to Sir Dudley Ryder are considered, as are landmarks in law from the Magna Carta to the Mabo Decision. Sarah McKibbin is Lecturer (Law) in the School of Law and Justice, University of Southern Queensland, Australia, and co-author of A Legal History for Australia (2021) with Marcus Harmes and Libby Connors. Jeremy Patrick is Lecturer in the School of Law and Justice, University of Southern Queensland, Australia. He has published multiple journal articles on historical aspects in the area of law and religion, including constitutional religion clauses, blasphemous libel, and the legal regulation of fortune-telling and individual spirituality. He is author of Faith or Fraud: Fortune-telling, Spirituality, and the Law (2020). Marcus Harmes is Professor, Associate Director Research in the University of Southern Queensland College, Australia, and teaches legal history in the law degree. He has published extensively in the fields of religious and political history, with a particular emphasis on British religious history and constitutional history. .

Theory of knowledge --- Law --- World history --- History --- History of Oceania with Australia --- wereldgeschiedenis --- intellectuele ontwikkeling --- geschiedenis --- Asia --- Oceania with Australia