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Body schema. --- Human figure in art. --- Virtual reality in art. --- Mass communications

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#KVHA:Merleau-Ponty --- Merleau-Ponty, Maurice, --- #KVHA:Filosofie --- Merleau-Ponty, Maurice --- Merleau-Ponty, Maurice, - 1908-1961. --- Merleau-Ponty, Jean Jacques Maurice, --- Merlō-Ponty, Mōris, --- Ponty, Jean Jacques Maurice Merleau-, --- Ponty, Maurice Merleau-, --- מרלו־פונטי, מוריס,

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Maurice Merleau-Ponty (1908-61) was described by Paul Ricoeur as 'the greatest of the French phenomenologists'. The essays in this volume examine the full scope of Merleau-Ponty's philosophy, from his central and abiding concern with the nature of perception and the bodily constitution of intentionality to his reflections on science, nature, art, history, and politics. The authors explore the historical origins and context of his thought as well as its continuing relevance to contemporary work in phenomenology, philosophy of mind, cognitive science, biology, art criticism and political and social theory. What emerges is a fresh image of Merleau-Ponty as a deep and original thinker whose philosophical importance has been underestimated, in part owing to the influence of intellectual movements such as existentialism and structuralism, into which his work could not be easily assimilated. New readers will find this the most convenient and accessible guide to Merleau-Ponty currently available.

Merleau-Ponty, Maurice,

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Communications, philosophy, film and video, digital culture: media studies straddles an astounding array of fields and disciplines and produces a vocabulary that is in equal parts rigorous and intuitive. Critical Terms for Media Studies defines, and at times, redefines, what this new and hybrid area aims to do, illuminating the key concepts behind its liveliest debates and most dynamic topics.Part of a larger conversation that engages culture, technology, and politics, this exciting collection of essays explores our most critical language for dealing with the qualities and modes of contemporary media. Edited by two outstanding scholars in the field, W. J. T. Mitchell and Mark B. N. Hansen, the volume features works by a team of distinguished contributors. These essays, commissioned expressly for this volume, are organized into three interrelated groups: “Aesthetics” engages with terms that describe sensory experiences and judgments, “Technology” offers entry into a broad array of technological concepts, and “Society” opens up language describing the systems that allow a medium to function.A compelling reference work for the twenty-first century and the media that form our experience within it, Critical Terms for Media Studies will engage and deepen any reader’s knowledge of one of our most important new fields.

Mass communications --- Literature and technology --- Art and technology --- Technology --- Digital media --- Mass media --- Image (Philosophy) --- Philosophy --- Art and technology. --- Digital media. --- Literature and technology. --- Mass media. --- Philosophy. --- 82:62 --- nieuwe media --- kunst --- kunsttheorie --- esthetica --- kunst en technologie --- digitale media --- lichamelijkheid --- ruimte --- tijd --- ruimtelijkheid --- tijdelijkheid --- biomedia --- cybernetica --- sociologie --- technologie --- cultuurfilosofie --- 791.5 --- Literatuur en technologie --- 82:62 Literatuur en technologie --- Image (Philosophy). --- Technology and civilization --- Mass communication --- Media, Mass --- Media, The --- Communication --- Industry and literature --- Technology and literature --- Electronic media --- New media (Digital media) --- Digital communications --- Online journalism --- Technology and art --- Technology - Philosophy