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"Terror and Irish Modernism offers a synoptic overview of modern Irish fiction. Covering more than two centuries of literary production, Jim Hansen locates the root structure of modern Irish fiction in the masculine gender anxiety of one of the nineteenth century's most popular literary genres: the Gothic. Addressing both the decolonization of Ireland and the politics of literary form, Hansen sheds new light on canonical works by Maria Edgeworth, C. R. Maturin, Oscar Wilde, James Joyce, and Samuel Beckett by reading them all as part of the generic tradition of the Irish Gothic. He focuses in particular on how the Irish Gothic tradition translated the English Gothic's female-confinement narrative into a story about confined, feminized male protagonists. In reading this male gender-disorientation as the foundational condition of modern Irish political identity, Terror and Irish Modernism provides a thoroughly new genealogy of modern Irish fiction."--BOOK JACKET.
Gothic fiction (Literary genre), English --- English fiction --- Terror in literature. --- Gothic revival (Literature) --- Modernism (Literature) --- English gothic fiction (Literary genre) --- Literary movements --- Revival movements (Art) --- Romanticism --- History and criticism. --- Irish authors
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Contemporary Literature and the State challenges the critical opposition between the monolithic state and the individual artist. The volume collects essays on writers as different as Samuel Beckett and Ngozi Adichie and covers historical and geographical contexts from Yorkshire to Singapore, San Francisco to Cape Town. Featuring new and established critical voices, Contemporary Literature and the State is an important new contribution to debates about the politics of literature, coming at a time when state power appears both more arbitrary and more necessary than ever.
Literature, Modern --- Romanticism --- Modern literature --- Arts, Modern --- Political aspects.
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