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Edited by John Hanhardt --- film --- videokunst --- video --- filmtheorie --- kunst en technologie --- media --- nieuwe media --- televisie --- Baudrillard Jean --- Benjamin Walter --- Althusser Louis --- Enzensberger Hans Magnus --- Antin David --- Ross David --- Krauss Rosalind --- Cavell Stanley --- Paik Nam June --- Youngblood Gene --- Burnham Jack --- Ellis John --- Davis Douglas --- 791.45 --- Televisie-uitzending --- Télédiffusion --- Video art --- Mass media

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Bill Viola began producing video works in the early 1970s and since then has captivated audiences with his poignant and beautifully wrought interpretations of human experience. Viola has explored the possibilities of electronic, visual, and sound practices throughout his career and is today one of the most celebrated proponents of video art. This is the first monograph to chart Viola’s career in full, covering his education in New York, his earliest major films, his retrospective at the Whitney Museum in 1997, and his recent installations in Venice, New York, Tokyo, London, and Berlin. Renowned curator and specialist in video art John Hanhardt outlines the key visual, literary, and spiritual influences in Viola’s work and his changing approach to the medium of film as its technology advances. Woven into the discussion are illustrations of Viola’s most significant works, including Information (1973), The Passing (1991), The Greeting (1995), Going Forth by Day (2002), and Martyrs, the 2014 film commissioned for St Paul’s Cathedral in London, as well as reproductions of Viola’s sketches and notebooks that bring his working process to life. 400+ illustrations

mysticism --- installations [visual works] --- love --- video art --- births --- Art --- psychology --- Viola, Bill --- Video art. --- Installations (Art) --- 778.5.07 --- Viola, Bill °1951 (°New York, Verenigde Staten) --- Videokunst ; installaties ; environments ; 1980-2015 ; Bill Viola --- Elektronische media --- Virtual reality --- Installation art --- Art, Modern --- Environment (Art) --- Electronic art --- Experimental television --- Performance art --- Television --- Experimental films --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- Viola, Bill, --- Criticism and interpretation. --- love [emotion] --- MAD-faculty 15 --- hedendaagse kunstenaars --- Video art --- Art vidéo --- Time-based art --- dood --- lichaam (van de mens)

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Sculpture --- anno 1960-1969 --- anno 1970-1979 --- North America --- Performance art --- Arts, American --- Art de performance --- Arts américains --- Exhibitions. --- Expositions --- -Performance art --- Beeldhouwkunst ; 1965-1975 --- Nauman, Bruce --- Hesse, Eva --- Morris, Robert --- Beeldhouwkunst ; Minimal Art ; Richard Serra --- Tuttle, Richard --- Smithson, Robert --- Shapiro, Joel --- Tentoonstellingscatalogi ; New York ; Whitney Mus. of American Art --- 73.038 --- (069) --- kunst --- twintigste eeuw --- beeldhouwkunst --- Benglis Lynda --- Hesse Eva --- Le Va Barry --- Nauman Bruce --- Saret Alan --- Serra Richard --- Shapiro Joel --- Smithson Robert --- Sonnier Keith --- Tuttle Richard --- 73.036 --- American arts --- Beeldhouwkunst ; 1950 - 2000 --- (Musea. Collecties) --- Arts américains --- Arts, Modern --- Happenings (Art) --- Performing arts

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Les oeuvres et installations vidéo emblématiques du duo, avec des contributions de Philippe-Alain Michaud, de John G. Hanhardt et une biographie complète. This catalogue presents the emblematic videos and recent works by the duo, with contributions by Philippe-Alain Michaud (Chief Curator for the films at the Mnam Centre Pompidou) and John G. Hanhardt (Senior Curator for Media Arts, Smithsonian American Art Museum), as well as a complete biography. Published on the occasion of the exhibition at musée d'art moderne de Saint-Etienne, from February to April 2010. Igor and Svetlana Kopystiansky (born respectively 1954 and 1950) live and work in New York since 1988. They have participated in many Biennales: Venice (1988), Sydney (1992), Sao Paulo (1994), Istanbul (1995), Lyon (1997), Liverpool (1999), as well as Sculpture Project, Munster (1997) and Documenta 11 (2002), among others. Their works are presented in the following collections: MoMA, Whitney Museum of American Art and Metropolitan Museum, New York, Art Institute of Chicago, Museum of Fine Arts, Houston, Smithsonian American Art Museum, Washington D.C., J.V. Zimmerli Museum of Art, New Brunswick, Tate Modern, London, Centre Pompidou, Paris, Musée d'Art Moderne de Saint-Etienne Métropole, Art Gallery of New South Wales, Sydney, Folkwang Museum in Essen, Ludwig Forum for International Art, Aachen, Museum für Moderne Kunst, Berlin, Museum für Moderne Kunst and Deutsche Bank collection, Frankfurt am Main, Museum of Modern Art, Vienna, Centre for Contemporary Art Luigi Pecci, Prato, Makao Museum, Beijing

Kopystiansky, Svetlana --- Kopystiansky? Igor --- Installation-art --- Art contemporain --- Cinéma

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performance art --- video art --- Film --- museology --- happenings --- Iconography --- Museology --- Art --- Sculpture --- public art --- installations [visual works] --- Art styles --- sound [acoustics] --- sculpting --- scripts [writing] --- Boltanski, Christian --- Lawler, Louise --- Fontcuberta, Joan --- Kabakov, Ilija Iosefovich --- Hassan, Jamelie --- Broodthaers, Marcel --- Antoni, Janine --- Torres, Francesc --- Muntadas, Antonio --- Graham, Dan --- Fraser, Andrea --- Scher, Julia --- Calle, Sophie --- Fontana, Bill --- anno 1900-1999 --- anno 1970-1979 --- anno 1960-1969 --- anno 1950-1959 --- kunst --- musea --- museologie --- tentoonstellingen --- twintigste eeuw --- Antoni Janine --- Boltanski Christian --- Broodthaers Marcel --- Calle Sophie --- Fontana Bill --- Fontcuberta Joan --- Fraser Andrea --- Graham Dan --- Hassan jamelie --- Kabakov Ilya --- Lawler Louise --- Muntadas --- Scher Julia --- Torres Francesc --- 069 --- 7.038 --- Art museums --- Museum techniques --- Art, Modern --- Installations (Art) --- Muséologie --- History --- Musées --- Histoire --- Torres Monsó, Francesco --- kunst over kunst