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In Marriage, Violence and the Nation in the American Literary West, William R. Handley examines literary interpretations of the Western American past. Handley argues that although scholarship provides a narrative of western history that counters optimistic story of frontier individualism by focusing on the victims of conquest, twentieth-century American fiction tells a different story of intra-ethnic violence surrounding marriages and families. He examines works of historiography,as well as writing by Zane Grey, Willa Cather, Wallace Stegner and Joan Didion among others, to argue that these works highlight white Americans' anxiety about what happens to American 'character' when domestic enemies such as Indians and Mormon polygamists, against whom the nation had defined itself in the nineteenth century, no longer threaten its homes. Handley explains that once its enemies are gone, imperialism brings violence home in retrospective narratives that allegorise national pasts and futures through intimate relationships.
American literature --- Novelists, American --- Domestic fiction, American --- National characteristics, American, in literature. --- Western stories --- Frontier and pioneer life in literature. --- Family violence in literature. --- Women pioneers in literature. --- Marriage in literature. --- Violence in literature. --- American novelists --- History and criticism. --- Homes and haunts --- West (U.S.) --- Intellectual life. --- In literature. --- Family violence in literature --- Frontier and pioneer life in literature --- Marriage in literature --- National characteristics, American, in literature --- Violence in literature --- Women pioneers in literature --- History and criticism --- Arts and Humanities --- Literature --- Domestic fiction [American ] --- National characteristics [American ] --- West [U.S.] in literature --- Cather, Willa Sibert --- Criticism and interpretation --- Stegner, Wallace Earle --- Didion, Joan --- Fitzgerald, Francis Scott --- Grey, Zane --- Wister, Owen --- Turner, Frederick Jackson
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In no other region of the United States has the notion of authenticity played such an important yet elusive role as it has in the West. Though pervasive in literature, popular culture, and history, assumptions about western authenticity have not received adequate critical attention. Given the ongoing economic and social transformations in this vast region, the persistent nostalgia and desire for the "real" authentic West suggest regional and national identities at odds with themselves. True West explores the concept of authenticity as it is used to invent, test, advertise, and read the West. The fifteen essays collected here apply contemporary critical and cultural theory to western literary history, Native American literature and identities, the visual West, and the imagining of place. Ranging geographically from the Canadian Prairies to Buena Park's Entertainment Corridor in Southern California, and chronologically from early tourist narratives to contemporary environmental writing, True West challenges many assumptions we make about western writing and opens the door to an important new chapter in western literary history and cultural criticism.
Realism in literature. --- American literature --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- History and criticism. --- West (U.S.) --- In literature. --- Historiography. --- History and criticism --- Historiography --- West [U.S.] in literature --- Realism in literature --- Eastman, Charles Alexander --- Long, Sylvester --- Curtis, Edward S. --- Remington, Frederic --- Bass, Rick --- Stegner, Wallace Earle --- Kittredge, William --- Williams, Terry Tempest
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