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Cultuurgeschiedenis van het Nederlandse auteurschap tussen 1820 en 1970.
History of civilization --- Dutch literature --- Literatuurgeschiedenis (wetenschap). --- Cultuurgeschiedenis. --- Authorship in literature --- History and criticism --- Auteur (esthétique) --- Literatuurgeschiedenis (wetenschap) --- 839.3 <09> --- Nederlandse literatuur--Geschiedenis van ... --- 839.3 <09> Nederlandse literatuur--Geschiedenis van ... --- Nederlandse literatuur--Geschiedenis van . --- Nederlandse literatuur--Geschiedenis van --- Dutch literature - 20th century - History and criticism --- Dutch literature - 19th century - History and criticism
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1961-2010. --- Nederland. --- Protestliederen. --- Music --- Poetry --- literary history --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009 --- anno 2010-2019 --- Netherlands --- History of the Netherlands --- muziekgeschiedenis
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In de nalatenschap van Sybren Polet zijn handgeschreven versies gevonden van voltooide gedichten die nog niet eerder zijn gepubliceerd. Als eerbetoon aan de avontuurlijkste Nederlandstalige dichter geven de Polet-Stichting en Uitgeverij Wereldbibliotheek deze bundel uit met facsimiles van het handschrift en de door Elice de Gier en Laurens Ham bezorgde tekst. Het geheel vormt een tegelijk weemoedige, humoristische en vlijmscherpe analyse van onze tijd: het grandioze slotakkoord van een bijzonder oeuvre in de Nederlandse literatuur.
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As marketing specialists know all too well, our experience of products is prefigured by brands: trademarks that identify a product and differentiate it from its competitors. This process of branding has hitherto gained little academic discussion in the field of literary studies. Literary authors and the texts they produce, though, are constantly 'branded': from the early modern period onwards, they have been both the object and the initiator of a complex marketing process. This book analyzes this branding process throughout the centuries, focusing on the case of the Netherlands. To what extent is our experience of Dutch literature prefigured by brands, and what role does branding play when introducing European authors in the Dutch literary field (or vice versa)? By answering these questions, the volume seeks to show how literary scholars can account for the phenomenon of branding.
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