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Gedurende bijna vijf eeuwen overheerste Europa de wereld. Eerst Portugal en Spanje, daarna Frankrijk, Engeland en Nederland, en tenslotte ook België vestigden grote overzeese rijken. Rondom deze koloniën groeide een rijke literatuur, die talloze klassiekers opleverde, zoals bijvoorbeeld Defoes Robinson Crusoe, Camões' Os Lusíadas en Multaltuli's Max Havelaar. Vaak verhieven de Europese mogendheden hun taal tot standaardtaal voor bestuur en onderwijs in de koloniën. Gaandeweg ontwikkelde zich een literatuur in de taal van de kolonisator, maar geschreven door gekoloniseerden. In onze tijd kwamen deze postkoloniale literaturen tot grote bloei, met schrijvers als Salman Rushdie, Maryse Condé, Derek Walcott, Toni Morrison en Etienne van Heerden. Europa buitengaats is het eerste boek dat een overkoepelend overzicht biedt van deze literaire tradities, van de Indische archipel tot de Caraïben, van Zuid-Afrika tot 'the Old South'. Niet alleen komen de belangrijkste werken uitgebreid aan bod, ook wordt ingegaan op verbindende thema's als de spanning tussen kolonisator en autochtone bevolking, de fascinatie voor het onbekende en de zoektocht naar een eigen identiteit. Het resultaat is een kleurrijk en verrassend boek, waaraan de liefhebber van verre paradijzen en exotische literatuur veel genoegen zal beleven.
French literature (outside France) --- Austronesian literature --- Dutch literature --- Sociolinguistics --- English literature --- Thematology --- South Africa --- India --- Caribbean Area --- Colonies dans la littérature --- Colonies in literature --- Koloniale literatuur --- Kolonies in de literatuur --- Littérature coloniale --- Littérature postcoloniale --- Postkoloniale literatuur --- European literature --- American literature --- Littérature européenne --- Littérature américaine --- History and criticism. --- Histoire et critique --- Colonies in literature. --- Postcolonialism in literature. --- Imperialism in literature. --- 82 --- #KVHA:Literatuurgeschiedenis; Europa --- Literatuur. Algemene literatuurwetenschap --- 82 Literatuur. Algemene literatuurwetenschap --- Littérature européenne --- Littérature américaine --- History and criticism --- Oriental literature (English) --- Oriental literature (Dutch) --- Oriental literature (French) --- African literature (Dutch) --- African literature (French) --- African literature (English) --- African literature (Portuguese) --- Minority authors --- Caribbean literature (French) --- Caribbean literature (Dutch) --- Pacific Island literature [English ] --- French-American literature --- Latin American literature (Dutch) --- Latin American literature (Spanish) --- Brazilian literature --- Caribbean area --- 82 Literature in general --- Literature in general --- European literature - History and criticism. --- American literature - History and criticism. --- INDES NEERLANDAISES --- LITTERATURE NEERLANDAISE --- PAYS-BAS --- ANTILLES NEERLANDAISES --- LITTERATURE AFRIKAANS --- LITTERATURE SUD-AFRICAINE DE LANGUE ANGLAISE --- LITTERATURE AUSTRALIENNE --- LITTERATURE DE L'INDE DE LANGUE ANGLAISE --- LITTERATURE INDONESIENNE DE LANGUE NEERLANDAISE --- INDONESIE --- COLONIES --- 20E SIECLE --- HISTOIRE ET CRITIQUE
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For abstract see: Paul Doorenbosch, in Bibliografische attenderingslijst voor docenten Neerlandistiek in het buitenland, jrg. 6, nr. 3 (augustus 1991); p. 4.
Literature --- 839.3 <100> --- Nederlandse literatuur: koloniën --- 839.3 <100> Nederlandse literatuur: koloniën --- Colonies dans la littérature. --- Colonies in literature. --- Decolonization in literature. --- Décolonisation dans la littérature. --- Kolonie. --- Koloniën. --- Letterkunde. --- Literatur. --- Niederländisch. --- Indonesien. --- Niederländische Antillen. --- Surinam. --- LITTERATURE INDONESIENNE DE LANGUE NEERLANDAISE --- PAYS-BAS --- HISTOIRE ET CRITIQUE --- COLONIES
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Text to Reader seeks to find a critical approach that links a novel's form to its socio-cultural context. Combining elements from Iser's reception aesthetics, speech act theory, and Goffman's frame analysis, this book starts from the assumption that a reader has certain conventional expectations with regard to a novel, and then goes on to examine how violations of these expectations rule the reader's relationship to the novel. The theory sketched in the first chapter is then, in four subsequent chapters, applied to The French Lieutenant's Woman by the English author John Fowles,
Fiction --- Dutch literature --- Boon, Louis Paul --- -82-31 --- 82 --- 82 Literatuur. Algemene literatuurwetenschap --- Literatuur. Algemene literatuurwetenschap --- 82-31 Roman --- Roman --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- History and criticism --- Philosophy --- Histoire et critique --- Fowles, John, --- Barth, John. --- Cortazar, Julio, --- Boon, Louis-Paul, --- 82-31 --- 82 Literature in general --- Literature in general --- Reader-response criticism. --- Reader-oriented criticism --- Reception aesthetics --- Criticism --- Reading --- History and criticism.
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Fiction --- American literature --- anno 1900-1999 --- anno 2000-2009 --- anno 2010-2019
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We are now in the Age of Caliban rather than in the Time of Ariel or the Era of Prospero, Harold Bloom claimed in 1992. Bloom was specifically referring to Caliban's rising popularity as the prototype of the colonised or repressed subject, especially since the 1980s. However, already earlier the figure of Caliban had inspired artists from the most divergent backgrounds: Robert Browning, Ernest Renan, Aimé Césaire, and Peter Greenaway, to name only some of the better known. Much has already been published on Caliban, and there exist a number of excellent surveys of this character's appearance in literature and the other arts. The present collection does not aim to trace Caliban over the ages. Rather, Constellation Caliban intends to look at a number of specific refigurations of Caliban. What is the Caliban-figure's role and function within a specific work of art? What is its relation to the other signifiers in that work of art? What interests are invested in the Caliban-figure, what values does it represent or advocate? Whose interests and values are these? These and similar questions guided the contributors to the present volume. In other words, what one finds here is not a study of origins, not a genealogy, not a reception-study, but rather a fascinating series of case studies informed by current theoretical debate in areas such as women's studies, sociology of literature and of the intellectuals, nation-formation, new historicism, etc. Its interdisciplinary approach and its attention to matters of multi-culturalism make Constellation Caliban into an unusually wide ranging and highly original contribution to Shakespeare-studies... ... The book should appeal to students of English Literature, Modern European Literature, Comparative Literature, Drama or Theatre Studies, and Cultural Studies, as well as to anyone interested in looking at literature within a broad social and historical context while still appreciating detailed textual analyses... Back Cover
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Fiction --- Literature --- anno 1900-1999
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Ever since its appearance, Miguel de Cervantes’ Don Quixote has exerted a powerful influence on the artistic imagination all around the world. This cross-cultural volume offers important new readings of canonical reinterpretations of the Quixote : from Unamuno to Borges, from Ortega y Gasset to Calvino, from Mark Twain to Carlos Fuentes. But to the prestigious list of well-known authors who acknowledged Cervantes’ influence, it also adds new and surprising names, such as that of Subcomandante Marcos, who gives a Cervantine twist to his Mexican Zapatista revolution. Attention is paid to successful contemporary authors such as Paul Auster and Ricardo Piglia, as well as to the forgotten voice of the Belgian writer Joseph Grandgagnage. The volume breaks new ground by taking into consideration Belgian music and Dutch translations, as well as Cervantine procedures in Terry Gilliam’s Lost in La Mancha . In all, this book constitutes an indispensable guide for the further study of the Quixote’s Nachleben and offers exciting proposals for rereading Cervantes.
Cervantes Saavedra, Miguel de, --- influenser --- 82.091 --- 860 "15" DE CERVANTES SAAVEDRA, MIGUEL --- Vergelijkende literatuurstudie --- Spaanse literatuur--?"15"--DE CERVANTES SAAVEDRA, MIGUEL --- Cervantes Saavedra, Miguel de, 1547-1616 -- Influence. --- Cervantes Saavedra, Miguel de, 1547-1616. Don Quixote. --- 860 "15" DE CERVANTES SAAVEDRA, MIGUEL Spaanse literatuur--?"15"--DE CERVANTES SAAVEDRA, MIGUEL --- 82.091 Vergelijkende literatuurstudie --- influenser. --- Don Quixote (Fictitious character) --- Cervantes y Saavedra, Miguel de --- Cerbantes Saavedra, Miguel de, --- Cervantes de Saavedra, Miguel de, --- Cervantes, M., --- Cervantes, Michael a, --- Cervantes, Miguel de, --- Cervantes Saavedra, Michael a, --- Cervantes Saavedra, Michiel de, --- Cervantes Savedra, Miguel, --- De Cervantes, Miguel, --- De Cervantes, Miguel --- Cervantes, Michel --- Hsi-wan-ti-shih, --- Saavedra, Miguel de Cervantes, --- Sai-wan-tʻi-ssŭ, --- Savedra, Migelʹ Servantes, --- Savedra, Miguel Cervantes, --- Servantes, M., --- Servantes Saavedra, Migelʹ de, --- Servantes Saavedra, Miguėlʹ, --- Serṿantes Saṿaidrah, Miguʼel de, --- Servantes Savedra, Migelʹ, --- Servantesu, M., --- Sirfāntīs, --- Tservantes, Michaēl, --- Сервантес Сааведра, Мигель де, --- סערװאנטעס סאאװעדרא, מיגעל דע --- סערוואנטעס דע סאאוועדרא, מיגעל דע --- סרונתס סאוידרה, מיגואל די --- סרונטס סאאוידרא, מיגואל די, --- סרונטס סודרה, מיגל דה, --- סרונטס, מיגאל --- צערװאנטעס, מיגועל, --- ثربانتس سابدرا، ميجيل دي، --- سروانتس --- セルバンテス, --- 塞万提斯, --- Influence. --- Quixote,
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