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Mobile Internet services are a tremendous success in Japan, but fail to gain the acceptance of European customers. Which factors explain the Japanese success story? What makes the difference: demand side factors rooted in a different culture or the fact that Japanese firms manage innovation process differently than their European counterparts? Drawing on a comparative case study Michael Haas analyses the consequences of differences in the innovation strategies of Japanese and European telecommunication firms. He focuses on the following questions: Which are the implications of different approaches towards management of systemic innovations? Do differences matter and why do they matter? The author shows that Europeans can learn from the Japanese and gives advice for future approaches to developments in the European telecommunications industry.

Technological innovations --- Internet industry --- Mobile communication systems --- Wireless Internet --- Management. --- Internet --- Wireless communication systems --- Vehicles --- Vehicular communication systems --- Radio --- Computer industry --- Communication systems --- Innovation/Technology Management. --- Administration --- Industrial relations --- Organization --- Industrial management. --- Business administration --- Business enterprises --- Business management --- Corporate management --- Corporations --- Industrial administration --- Management, Industrial --- Rationalization of industry --- Scientific management --- Management --- Business --- Industrial organization

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252 Mensenrechten --- Human rights --- Basic rights --- Civil rights (International law) --- Rights, Human --- Rights of man --- Law and legislation --- Human security --- Transitional justice --- Truth commissions

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With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany's historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment.

Jewish composers. --- Composers --- Composers, Jewish --- Music --- nationaal-socialisme --- joodse muziek --- Jodendom --- muziekgeschiedenis --- componisten --- anno 1900-1999 --- Jewish composers.. --- Composers -- Germany.

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Motion pictures --- Politics in motion pictures --- United States

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International organization --- Bibliography.