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Considering the growing interest in South African Literature at the moment, this study looks at both the Anglophone literature of South Africa and the lusophone literature of Angola and Mozambique. Stefan Helgesson suggests that the prevalence of ‘colonial’ languages such as English and Portuguese in ‘anticolonial’ or ‘postcolonial’ African Literature is primarily an effect of the print network. Helgesson aims to demystify the authority of English and Portuguese by stressing the materiality of the print medium and emphasising the strong transnational and transcontinental vectors of southern African literature after the Second World War.
Southern African literature --- Books and reading --- Transnationalism in literature. --- Transnationalism. --- Littérature de l'Afrique australe --- Livres et lecture --- Transnationalisme dans la littérature --- Transnationalisme --- History and criticism. --- History. --- Histoire et critique --- Histoire --- Littérature de l'Afrique australe --- Transnationalisme dans la littérature --- Littérature africaine --- Afrique australe --- Dans la littérature --- 1945-1990 --- Littératures
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"Placing itself within the burgeoning field of world literary studies, the organising principle of this book is that of an open-ended dynamic, namely the cosmopolitan-vernacular exchange.As an adaptable comparative fulcrum for literary studies, the notion of the cosmopolitan-vernacular exchange accommodates also highly localised literatures. In this way, it redresses what has repeatedly been identified as a weakness of the world literature paradigm, namely the one-sided focus on literature that accumulates global prestige or makes it on the Euro-American book market.How has the vernacular been defined historically? How is it inflected by gender? How are the poles of the vernacular and the cosmopolitan distributed spatially or stylistically in literary narratives? How are cosmopolitan domains of literature incorporated in local literary communities? What are the effects of translation on the encoding of vernacular and cosmopolitan values?Ranging across a dozen languages and literature from five continents, these are some of the questions that the contributions attempt to address."
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If anything is certain in human existence, it is the exit. Before the universal yet radically singular event of death, however, history leaves its mark on us by determining which exits are possible, necessary or desirable. This collection of essays, which celebrates the achievement of the Swedish Africanist and postcolonial scholar Raoul Granqvist, deal with the broad theme of exit – in the form of exile, displacement, suicide, endings and, indeed, beginnings. After all, “In my end is my beginning” (T.S. Eliot). Childhood as exit rite in contemporary African literature (Camara Laye’s L’Enfant Noir and Ishmael Beah’s Long Way Gone ); the Cameroonian director Jean Pierre Bekolo’s controversial film Les Saignantes ; an early play by Wole Soyinka; Ghana during the First World War; Zakes Mda’s Cion ; proto-nationalist writing on the Gold Coast; passing in Zoë Wicomb’s Playing in the Light ; the exile of South African and Caribbean writers; translation theory in the global South; public representations of Africans in north-east Bavaria; oral poetry in rural England; Fred Wah’s Swedish-Chinese background in twentieth-century Canada; Toni Morrison’s Beloved and infanticide; the open endings of the poetry of Paul Muldoon; the suicide of Virginia Woolf; the viability of global environmental policies – these are some of the topics that this book, in defiance of neat disciplinary boundaries, addresses. The closing section, “Voicing the Exit,” transcends the academic format with its evocative literary representations of the experience of exit (in Tanzania, Uganda, Ukrainian Canada and elsewhere).
African literature (English) --- Exiles' writings, African (English) --- Transnationalism in literature. --- African exiles' writings (English) --- English literature --- Exiles' writings, English --- History and criticism. --- African authors --- Life. --- Quality of life. --- Life, Quality of --- Economic history --- Human ecology --- Life --- Social history --- Basic needs --- Human comfort --- Social accounting --- Work-life balance --- Philosophy
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An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.This book sets out to understand how the meaning of 'literature' was transformed in the Global South in the post-1945 era. It looks at institutional contexts in South Africa (mainly Johannesburg), Brazil (São Paulo), Senegal (Dakar) and Kenya (Nairobi), and engages with critical writing in English, Portuguese and French. Critics studied in the book include Antonio Candido, Tim Couzens, Isabel Hofmeyr, Es'kia Mphahlele, Léopold Senghor, Taban Lo Liyong and Ngugi wa Thiong'o. By reading these intellectuals of the Global South as producers of theory and practice in their own right, the book attempts to demonstrate the contingency of what is her called the worlding of the concept of literature. 'Decolonisation' itself is seen as a contingent, non-linear process that unfolds in a recursive dialogue with the past. In a bid to offer a more grounded approach to world literature, a key objective of this study is therefore to investigate the accumulation of temporalities in institutional histories of critical practice. To reach this objective, it engages the method of conceptual history as developed by Reinhart Koselleck and David Scott, demonstrating how the concept of 'literature' is resemanticised in ways that dialectically both challenge and consolidate literature as a concept and practice in post-colonised societies.
African literature. --- African literature --- History and criticism. --- Black literature (African) --- Authors, African --- African literary criticism --- postcolonial studies --- literature --- Global South studies --- global intellectual history --- world literature --- decolonisation --- postcolonialism --- Brazilian literary criticism --- conceptual history
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Littérature mondiale --- Traduction --- Relations écrivains-éditeurs --- Littérature --- Vie littéraire --- Histoire et critique --- Théorie etc. --- Édition --- Literature publishing. --- Authors and publishers. --- Author and publisher --- Authors and publishers --- Publishers and authors --- Publishing contracts --- Literary publishing --- Literature publishing --- History and criticism&delete& --- Literature --- Translating and interpreting --- Interpretation and translation --- Interpreting and translating --- Language and languages --- Translation and interpretation --- Belles-lettres --- Western literature (Western countries) --- World literature --- Theory, etc --- Law and legislation --- Translating --- Publishing --- Authorship --- Contracts --- Book proposals --- Copyright --- Literary agents --- Translators --- Publishers and publishing --- Philology --- Authors --- Traduction. --- Relations écrivains-éditeurs. --- Vie littéraire. --- Édition. --- History and criticism --- Literature History and criticism --- Theory, etc. --- Translating and interpreting.
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If anything is certain in human existence, it is the exit. Before the universal yet radically singular event of death, however, history leaves its mark on us by determining which exits are possible, necessary or desirable. This collection of essays, which celebrates the achievement of the Swedish Africanist and postcolonial scholar Raoul Granqvist, deal with the broad theme of exit – in the form of exile, displacement, suicide, endings and, indeed, beginnings. After all, “In my end is my beginning” (T.S. Eliot). Childhood as exit rite in contemporary African literature (Camara Laye’s L’Enfant Noir and Ishmael Beah’s Long Way Gone); the Cameroonian director Jean Pierre Bekolo’s controversial film Les Saignantes; an early play by Wole Soyinka; Ghana during the First World War; Zakes Mda’s Cion; proto-nationalist writing on the Gold Coast; passing in Zoë Wicomb’s Playing in the Light; the exile of South African and Caribbean writers; translation theory in the global South; public representations of Africans in north-east Bavaria; oral poetry in rural England; Fred Wah’s Swedish-Chinese background in twentieth-century Canada; Toni Morrison’s Beloved and infanticide; the open endings of the poetry of Paul Muldoon; the suicide of Virginia Woolf; the viability of global environmental policies – these are some of the topics that this book, in defiance of neat disciplinary boundaries, addresses. The closing section, “Voicing the Exit,” transcends the academic format with its evocative literary representations of the experience of exit (in Tanzania, Uganda, Ukrainian Canada and elsewhere).
Changement (philosophie) --- Postcolonialisme --- Dans la littérature
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"At a time when rapidly evolving technologies, political turmoil, and the tensions inherent in multiculturalism and globalization are reshaping historical consciousness, what is the proper role for historians and their work? By way of an answer, the contributors to this volume offer up an illuminating collective meditation on the idea of ethos and its relevance for historical practice. These intellectually adventurous essays demonstrate how ethos--a term evoking a society's "fundamental character" as well as an ethical appeal to knowledge and commitment--can serve as a conceptual lodestar for history today, not only as a narrative, but as a form of consciousness and an ethical-political orientation"--
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