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This book examines the artistic policies of the Italian Communist Party (PCI) during the early post-war years (1944-1951), after the defeat of Fascism in Europe and the outbreak of the Cold War. It brings together theoretical debates on artists' political engagement and an extensive critical apparatus, providing the reader with an historical framework for wider reflections on the relationship between art and politics. After 1944, the PCI became the biggest Communist organisation in the West, placing Italy in an ambiguous position regarding the other European countries. Nevertheless, the immedi
Political systems --- Art --- communism --- anno 1940-1949 --- anno 1950-1959 --- Italy --- Fossil hominids. --- Human evolution. --- Prehistoric peoples. --- Cavemen (Prehistoric peoples) --- Early man --- Man, Prehistoric --- Prehistoric archaeology --- Prehistoric human beings --- Prehistoric humans --- Prehistory --- Human beings --- Antiquities, Prehistoric --- Evolution (Biology) --- Physical anthropology --- Evolutionary psychology --- Fossil hominins --- Fossil man --- Hominids, Fossil --- Hominins, Fossil --- Human fossils --- Human remains (Archaeology) --- Primates, Fossil --- Paleoanthropology --- Origin --- Primitive societies --- kunst en politiek --- ART, ITALIAN --- ART --- ITALY --- POLITICAL SCIENCE
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