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Mathematics --- Psychoanalysis --- Philosophy. --- Logic of mathematics --- Mathematics, Logic of --- Philosophy --- Descartes, René, --- Freud, Sigmund, --- Freud, Sigmund --- Descartes, Renatus --- Cartesius, Renatus --- Descartes, René --- Mathematics - Philosophy. --- Psychoanalysis - Philosophy.
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This is the third volume of the second edition of the now classic book “The Topos of Music”. The authors present gesture theory, including a gesture philosophy for music, the mathematics of gestures, concept architectures and software for musical gesture theory, the multiverse perspective which reveals the relationship between gesture theory and the string theory in theoretical physics, and applications of gesture theory to a number of musical themes, including counterpoint, modulation theory, free jazz, Hindustani music, and vocal gestures.
Mathematics. --- Performing arts. --- Music. --- User interfaces (Computer systems). --- Application software. --- Mathematics in Music. --- User Interfaces and Human Computer Interaction. --- Computer Appl. in Arts and Humanities. --- Performing Arts. --- Creativity and Arts Education. --- Music theory --- Music --- Philosophy and aesthetics. --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Philosophy --- Computer science. --- Information systems. --- Show business --- Arts --- Performance art --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Informatics --- Science --- Art education. --- Art --- Art education --- Education, Art --- Art schools --- Application computer programs --- Application computer software --- Applications software --- Apps (Computer software) --- Computer software --- Interfaces, User (Computer systems) --- Human-machine systems --- Human-computer interaction --- Math --- Analysis, interpretation, appreciation --- Education
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This is the third volume of the second edition of the now classic book “The Topos of Music”. The authors present gesture theory, including a gesture philosophy for music, the mathematics of gestures, concept architectures and software for musical gesture theory, the multiverse perspective which reveals the relationship between gesture theory and the string theory in theoretical physics, and applications of gesture theory to a number of musical themes, including counterpoint, modulation theory, free jazz, Hindustani music, and vocal gestures.
Human sciences (algemeen) --- Didactics of the arts --- Mathematics --- Computer science --- Information systems --- Computer. Automation --- Music --- Theatrical science --- performances (kunst) --- gitaren --- theater --- computers --- informatica --- muziek --- sociale wetenschappen --- kunstonderwijs --- informatiesystemen --- hindoeïsme --- creativiteit --- wiskunde --- computerkunde
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En ce début du troisième millénaire, la musique adresse une question aux autres arts comme aux sciences : comment ajuster les écritures musicale, mathématique, chorégraphique, biologique, etc., aux nouvelles matières sur lesquelles ces pensées embrayent ? S’il est vrai que le système autonome d’écriture musicale, le solfège, inventé il y a près de 1 000 ans, s’avère désormais en partie inadapté aux nouveaux matériaux sonores qu’il s’agit de composer, l’actuelle prolifération empirique des simples notations ne saurait pourvoir aux mutations en jeu : en matière d’écriture musicale, il en va non de techniques neutres mais bien de logique musicale, de ce qu’un discours ou un développement veulent dire musicalement. S’il s’agit donc de penser les mutations en cours en matière de « logique musicale », et leurs exigences, en matière de nouvelles « lettres/notes » musicales, qu’en est-il de problématiques semblables dans les autres arts et dans les sciences ? Qu’en est-il de mutations équivalentes dans les autres arts, singulièrement dans ceux qui entreprennent de se doter d’une écriture qui leur est propre, comme la chorégraphie ? Qu’en est-il surtout dans les sciences, en mathématiques mais aussi en logique, comme dans les sciences ayant à nouer leurs propres lettres à l’impératif galiléen de s’écrire mathématiquement ? Comment ce double dispositif (écriture mathématique importée/modes endogènes d’inscription) tend-il aujourd’hui à se nouer en physique, en chimie, en biologie, en informatique ? Ce volume rassemble différentes contributions présentées et discutées lors d’un colloque tenu à l’École normale supérieure (Paris, Ulm) en octobre 2007.
Music --- Musical notation --- Music and rhetoric --- Music and language --- Art and music --- Music and literature --- Music and science --- Technical writing. --- Writing. --- Philosophy and aesthetics --- Language and music --- Language and languages --- Rhetoric and music --- Rhetoric --- Ligatures (Music) --- Music autography --- Music copying --- Music manuscript --- Music notation --- Musical autography --- Notation, Musical --- Staff notation --- Musical meter and rhythm --- Signs and symbols --- Paleography, Musical --- Chirography --- Handwriting --- Ciphers --- Penmanship --- Engineering --- Science --- Scientific writing --- Technology --- Authorship --- Communication of technical information --- Science and music --- Music and art --- notation musicale --- écriture --- cinéma --- informatique --- chorégraphie --- rédaction scientifique et technique
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