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In Building Upon Building, 45 contemporary European architects, including Stephen Bates, Happel Cornelisse Verhoeven, Monadnock, Dierendonckblancke and Humblé Martens, present their designs for a fictional expansion on an existing building, taking into account the design principles of the original structure.
72.025 --- 72.059 --- 721.7 --- 711.427 --- Architecture, Modern. --- Buildings --- 72.01 --- Architectuur ; denkbeeldige uitbreiding van bestaande gebouwen --- Architectuurontwerpen ; simulaties van aanbouwen --- Building reconstruction --- Building renovation --- Building repair --- Reconstruction of buildings --- Remodeling of buildings --- Renovation of buildings --- Maintenance --- Repairing --- Architecture --- Modern architecture --- Verbouwingen --- Uitbreidingen --- Aanbouwen (architectuur) --- Uitbreidingen (architectuur) --- Denkbeeldige steden --- Repair and reconstruction. --- Architectuur ; theorie, filosofie, esthetica --- Reconstruction --- Remodeling --- Renovation --- Protection --- Conservation and restoration --- Architectural design --- architectuur --- gebouwen --- Architecture, Modern --- Repair and reconstruction --- 72.025.2 --- Herbruik (architectuur) --- Reconversie (architectuur) --- architecture [discipline]
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Waking up to the idea of a post-growth society, Rotterdam Ripresa presents a city that aims to amend instead of renew, accepting not Just the pleasant past, but also the Impudent present. To find the new in the old may well be the most sustainable thing of all. Can a city change while remaining the same? Rotterdam Ripresa adopts an alternative method towards the production of striking visions for the city. An urbanism of fragmentary Intervention as a grand cadavre exquis where authorship is deluded rahter than distilled. A collection of Future Fragments for the Neo Liberal City completing found ensembles that never were, but always could have been. With texts by: Irénée Scalbert, Sereh Mandias, Adria Daraban & Christoph Grafe. Photography by: Guus Kaandorp & Marius Grootveld
Cities and towns --- Urbanism --- Neoliberalism. --- Architecture and society. --- Environmental planning --- Architecture --- Rotterdam --- comprehensive plans [reports] --- architecture [discipline] --- City planning --- Urban renewal --- Model cities --- Renewal, Urban --- Urban redevelopment --- Urban renewal projects --- Land use, Urban --- Urban policy --- Civic planning --- Redevelopment, Urban --- Slum clearance --- Town planning --- Urban design --- Urban development --- Urban planning --- Land use --- Planning --- Art, Municipal --- Civic improvement --- Regional planning --- Government policy --- Management --- 711 --- 711.4 --- Nederland --- Ruimtelijke ordening (theorie) --- Stedenbouw (theorie)
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This book documents the development of the open staircase typology in Naples at the moment that it shifted from the traditional, monumental Baroque palace staircase towards the later palazzo or condominium staircase that was serving four, five or more levels of apartments. These staircases are considered "the star(s) of the palace composition in Naples". The book is the outcome of a master seminar in Architectural History at Ghent University. It continues a first publication from 2017.
Architecture, Baroque --- Staircases --- History --- Sanfelice, Ferdinando, --- Palais --- Escalier --- Architecture baroque --- Naples --- Staircases - Italy - Naples - History - 18th century - Exhibitions --- Staircases - Italy - Naples - History - 18th century - Designs and plans - Exhibitions --- Architecture, Baroque - Italy - Naples - Exhibitions --- Architecture, Baroque - Italy - Naples - Designs and plans - Exhibitions --- Sanfelice, Ferdinando, - 1675-1748 - Exhibitions --- Sanfelice, Ferdinando, - 1675-1748
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ONTO 03 maakt het gebruik van referenties in het artistieke proces en in de argumentatie ervan nadien, zichtbaar en bespreekbaar door middel van beschrijving, analyse, vergelijking en duiding. Hoe, wanneer en waarom worden referenties gebruikt? En welke soorten en vormen zijn er precies? Het gebruik van referenties wordt zelden gezien als een belangrijk onderdeel van de artistieke praktijk en de ontwerppraktijk. Het gebruik ervan lijkt te berusten op een vanzelfsprekend opgebouwde kennis, persoonlijke voorkeur, vrije associatie en serendipiteit. Toch worden referenties algemeen ingezet als instrument tijdens het scheppende proces en maken ze deel uit van toelichting bij de finale creatie. Net zoals bij wetenschappelijke referenties, komen deze referenties voort uit een bestaand referentiekader, dat wordt aangevuld, gedetailleerd, ondersteund of bekritiseerd door het nieuwe werk. Welke rol het refereren werkelijk én precies speelt in het scheppende en het argumenterende proces blijft echter grotendeels onuitgesproken.
Architecture --- architecture [discipline] --- Environmental planning --- Creation (Literary, artistic, etc.) --- Arts, Modern
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