Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Nicole Grimes provides a compellingly fresh perspective on a series of Brahms's elegiac works by bringing together the disciplines of historical musicology, German studies, and cultural history. Her exploration of the expressive potential of Schicksalslied, Nänie, Gesang der Parzen, and the Vier ernste Gesänge reveals the philosophical weight of this music. She considers the German tradition of the poetics of loss that extends from the late-eighteenth-century texts by Hölderlin, Schiller and Goethe set by Brahms, and includes other philosophical and poetic works present in his library, to the mid-twentieth-century aesthetics of Adorno, who was preoccupied as much by Brahms as by their shared literary heritage. Her multifaceted focus on endings - the end of tonality, the end of the nineteenth century, and themes of loss in the music - illuminates our understanding of Brahms and lateness, and the place of Brahms in the fabric of modernist culture.

Vocal music --- Vocal music. --- History and criticism --- Brahms, Johannes, --- Criticism and interpretation. --- Ernste Gesänge (Brahms, Johannes). --- Gesang der Parzen (Brahms, Johannes). --- Nänie (Brahms, Johannes). --- Schicksalslied (Brahms, Johannes). --- 1800-1899. --- Germany. --- 572 --- Muzieksociologie --- Brahms, Johannes --- Brahms, J. --- Brahms, Joh. --- Brams, I. --- Brams, Iogannes, --- Brams, Ĭokhanes, --- Burāmusu, J., --- Marks, G. W. --- History and criticism. --- Music

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Self-care, Health. --- College students --- Medicine, Preventive. --- Health and hygiene.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Nutrition --- Exercise --- Children --- Health and hygiene

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Rethinking Hanslick: Music, Formalism, and Expression' is the first extensive English-language study devoted to Eduard Hanslick--a seminal figure in nineteenth-century musical life. Bringing together eminent scholars from several disciplines, this volume examines Hanslick's contribution to the aesthetics and philosophy of music and looks anew at his literary interests. The essays embrace ways of thinking about Hanslick's writings that go beyond the polarities that have long marked discussion of his work such as form/expression, absolute/program music, objectivity/subjectivity, and formalist/hermeneutic criticism. This approach takes into consideration both Hanslick's important 'On the Musically Beautiful' and his critical and autobiographical writings, demonstrating Hanslick's rich insights into the context in which a musical work is composed, performed, and received. 'Rethinking Hanslick' serves as an invaluable companion to Hanslick's prodigious scholarship and criticism, deepening our understanding of the major themes and ideas of one of the most influential music critics of the nineteenth century. Dr Nicole Grimes is a Marie Curie Fellow at University College Dublin (UCD), and the University of California, Irvine. Dr Siobhán Donovan is a College Lecturer at the School of Languages and Literatures, UCD. Dr Wolfgang Marx is a Senior Lecturer at the School of Music, UCD.

Musical criticism --- Music --- Hermeneutics (Music) --- Music criticism --- Journalism --- History --- Philosophy and aesthetics. --- History and criticism --- Hanslick, Eduard, --- Hanslik, Eduard, --- Гансликъ, Эдуардъ, --- Ganslik, Ėduard, --- Music - 19th century - Philosophy and aesthetics --- Musical criticism - History - 19th century --- Hanslick, Eduard, - 1825-1904 --- Eduard Hanslick. --- absolute/program music. --- aesthetics. --- form/expression. --- formalist/hermeneutic criticism. --- literary interests. --- nineteenth-century musical life. --- objectivity/subjectivity. --- philosophy of music.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)