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This book addresses the lack of scholarship on the impact of new media on German film. It provides analysis that focuses on cinematic practices and productions and how they have been affected by a variety of technologies. The author narrows her critical focus to specific examples that illustrate very particular effects. She focuses on filmmakers who are working outside of the established mainstream Hollywood studio production system. There is also usage of Bertolt Brecht's theories on new media and theatre to better understand how technologies impact performance art. The book is most interested
Convergence (Telecommunication). --- Digital media -- Influence. --- Motion pictures -- Germany -- History -- 21st century. --- Motion pictures --- Motion picture industry --- Convergence (Telecommunication) --- Digital cinematography --- Digital media --- Electronic media --- New media (Digital media) --- Mass media --- Digital communications --- Online journalism --- Cinematography --- Digital filmmaking --- Digital moviemaking --- Telecommunication --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Performing arts --- History --- Technological innovations --- Influence --- Digital techniques --- History and criticism
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European Cinemas in the Television Age is a radical attempt to rethink the post-war history of European cinemas. The authors approach the subject from the perspective of television's impact on the culture of cinema's production, distribution, consumption and reception. Thus they indicate a new direction for the debate about the future of cinema in Europe. In every European country television has transformed economic, technological and aesthetic terms in which the process of cinema production had been conducted. Television's growing popularity has drastically reshaped cinema's audiences and for
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