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In 1995 and 1996 six film or television adaptations of Jane Austen's novels were produced-an unprecedented number. More amazing, all were critical and/or box office successes. What accounts for this explosion of interest? Much of the appeal of these films lies in our nostalgic desire at the end of the millennium for an age of greater politeness and sexual reticence. Austen's ridicule of deceit and pretentiousness also appeals to our fin de siècle sensibilities. The novels were changed, however, to enhance their appeal to a wide popular audience, and the revisions reveal much about our own culture and its values. These recent productions espouse explicitly twentieth-century feminist notions and reshape the Austenian hero to make him conform to modern expectations. Linda Troost and Sayre Greenfield present fourteen essays examining the phenomenon of Jane Austen as cultural icon, providing thoughtful and sympathetic insights on the films through a variety of critical approaches. The contributors debate whether these productions enhance or undercut the subtle feminism that Austen promoted in her novels. From Persuasion to Pride and Prejudice, from the three Emmas (including Clueless ) to Sense and Sensibility, these films succeed because they flatter our intelligence and education. And they have as much to tell us about ourselves as they do about the world of Jane Austen. This second edition includes a new chapter on the recent film version of Mansfield Park.
Women in motion pictures. --- Film adaptations --- English fiction --- Motion pictures --- History and criticism. --- Austen, Jane, --- Ao-ssu-ting, --- Ao-ssu-ting, Chien, --- Aosiding, --- Aosiding, Jian, --- Āsṭin̲, Jēn̲, --- Austenová, Jane, --- Osten, Dzheĭn, --- Ostin, Dzhein, --- Lady, --- Author of Sense and Sensibility, --- Остен, Джейн, --- Остен, Джейм, --- אוסטן, ג׳יין --- אוסטן, ג׳יין, --- أوستن، جين، --- Film and video adaptations. --- England --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales --- In motion pictures. --- Roman anglais --- Cinéma --- Femmes au cinéma --- Adaptations cinématographiques et télévisées --- Hollywood (Los Angeles, Calif.) --- Angleterre au cinéma --- Angleterre au cinéma. --- Aufsatzsammlung. --- Engels. --- Femmes au cinéma. --- Film adaptations. --- Motion pictures. --- Roman. --- Romans. --- Verfilmingen. --- Verfilmung. --- Adaptations cinématographiques et télévisées. --- Andrae, A. --- Austen, Jane. --- England. --- Women in motion pictures --- Cinéma --- --Littérature --- --Austen, Jane, --- Film and video adaptations --- In motion pictures --- Littérature --- Austen, Jane, - 1775-1817 - Film and video adaptations --- England - In motion pictures --- Austen, Jane, - 1775-1817
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This book examines literary representations of birds from across the world in an age of expanding European colonialism. It offers important new perspectives into the ways birds populate and generate cultural meaning in a variety of literary and non-literary genres from 1700–1840 as well as throughout a broad range of ecosystems and bioregions. It considers a wide range of authors, including some of the most celebrated figures in eighteenth-century literature such as John Gay, Henry Fielding, Laurence Sterne, Anna Letitia Barbauld, William Cowper, Mary Wollstonecraft, Thomas Bewick, Charlotte Smith, William Wordsworth, and Gilbert White.
Literature, Modern—18th century. --- British literature. --- Fiction. --- Eighteenth-Century Literature. --- British and Irish Literature. --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Philosophy --- Birds in literature. --- Literature, Modern --- Literature, Modern. --- Modern literature --- Arts, Modern --- History and criticism.
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This book examines literary representations of birds from across the world in an age of expanding European colonialism. It offers important new perspectives into the ways birds populate and generate cultural meaning in a variety of literary and non-literary genres from 1700-1840 as well as throughout a broad range of ecosystems and bioregions. It considers a wide range of authors, including some of the most celebrated figures in eighteenth-century literature such as John Gay, Henry Fielding, Laurence Sterne, Anna Letitia Barbauld, William Cowper, Mary Wollstonecraft, Thomas Bewick, Charlotte Smith, William Wordsworth, and Gilbert White.
Fiction --- English literature --- Literature --- literatuur --- fantasie (verbeelding) --- Engelse literatuur --- anno 1700-1799 --- Great Britain --- Literature, Modern --- European literature. --- Fiction. --- Eighteenth-Century Literature. --- European Literature. --- Fiction Literature.
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This book examines literary representations of birds from across the world in an age of expanding European colonialism. It offers important new perspectives into the ways birds populate and generate cultural meaning in a variety of literary and non-literary genres from 1700–1840 as well as throughout a broad range of ecosystems and bioregions. It considers a wide range of authors, including some of the most celebrated figures in eighteenth-century literature such as John Gay, Henry Fielding, Laurence Sterne, Anna Letitia Barbauld, William Cowper, Mary Wollstonecraft, Thomas Bewick, Charlotte Smith, William Wordsworth, and Gilbert White.
Fiction --- English literature --- Literature --- literatuur --- fantasie (verbeelding) --- Engelse literatuur --- anno 1700-1799 --- Great Britain
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English fiction --- Film adaptations --- Women in motion pictures --- History and criticism --- Austen, Jane, --- Film adaptations. --- England --- In motion pictures.
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