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installaties --- Rembrandt van Rijn --- Greenaway, Peter --- Rembrandt --- installaties. --- Rembrandt. --- Greenaway, Peter.

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Peter Greenaway (né en 1942, Newport, Pays de Galles, vit et travaille à Amsterdam) est un cinéaste et plasticien gallois, dont les expositions et installations ont pu être vues au Palazzo Fortuny, Venise, à la Galerie Joan Miro, Barcelone, le Boijmans van Beuningen, Rotterdam ainsi qu'au Louvre. Réalisateur de 12 films et près de 50 courts métrages et documentaires, il est régulièrement nominé aux festivals de Cannes, Venise et Berlin. Il a collaboré avec les compositeurs Michael Nyman, Glen Branca, Wim Mertens, Jean-Baptiste Barriere, Philip Glass, Louis Andriessen, Borut Krzisnik et David Lang. Parmi ses œuvres majeures, Meurtre dans un jardin anglais, Le Cuisinier, le voleur, sa femme et son amant, The Pillow Book, The Tulse Luper Suitcases... You can hide paintings, you can avoid literature, you can - if you're ingenious - avoid listening to music, but you cannot avoid architecture. Architecture is the least perishable of the arts and the most public. Architects (perhaps like film-makers) are supposed to be accountable to art, to finance, to the specialist critic, to the man in the street and perhaps to prosperity. The belly of an architect is the story of a distinguished american architect, Stourley Kracklite, who goes to Rome to put on an exhibition in memory of his hero, the eighteenth-century visionary french architect Etienne-Louis Boulle. Kracklite forgets the present to honour the past. But at what cost ? He ignores his wife, his child and, finally, his death. The penalty for such an obsession is the loss of his exhibition - the very thing he sacrified all other parts of his life to achieve. In addition to the screenpay, this volume also includes a series of reflections by Peter Greenaway on the making of the film.

Film --- Dialogue --- Scénario --- Cinéma --- Théâtre --- Belly of an architect (Motion picture)

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Peter Greenaway (né en 1942, Newport, Pays de Galles, vit et travaille à Amsterdam) est un cinéaste et plasticien gallois, dont les expositions et installations ont pu être vues au Palazzo Fortuny, Venise, à la Galerie Joan Miro, Barcelone, le Boijmans van Beuningen, Rotterdam ainsi qu'au Louvre. Réalisateur de 12 films et près de 50 courts métrages et documentaires, il est régulièrement nominé aux festivals de Cannes, Venise et Berlin. Il a collaboré avec les compositeurs Michael Nyman, Glen Branca, Wim Mertens, Jean-Baptiste Barriere, Philip Glass, Louis Andriessen, Borut Krzisnik et David Lang. Parmi ses œuvres majeures, Meurtre dans un jardin anglais, Le Cuisinier, le voleur, sa femme et son amant, The Pillow Book, The Tulse Luper Suitcases... This book is the script for Joseph, the new film by Peter Greenaway (born 1942), an ironic portrayal of the figure of Joseph, father of Jesus. Here, God ”the other father” becomes, in Greenaway’s words, “vulnerable to jealousy ... since he has a rival on earth.” Greenaway says : "The impetus to explain various mysteries and anxieties in the story of Christ's beginning and end - not least the virgin birth and the last words on the cross - came from a question asked by a six-year old girl - my daughter - who wondered how "on earth" could Christ have two fathers ? Which is a valid question in the circumstances from such a source. The following script for a film is some sort of answer. Much of it could be seen to be a possible scenario where none of it really contradicts canonical wisdom, only re-arranges it. This version of events could be as true as any other. The Bible is known to be an edited, massaged, censored, and often reconstructed propaganda vehicle made at some distance from the events it relates ; it was the record of the product of priests, arranged to fulfil and justify Old Testament prophecy in order to establish a new religion based on a new Messiah. And those priests lived in a Hellenic world where it was not so uncommon for Gods and mortals to copulate. Ambitious Judean priests work out a conspiracy to bed God with a mortal female to produce a son, and educate him to become a leader of men. But if their God is going to play the mortal game, is it not likely that he might fall mortally in love, and thus become vulnerable to jealousy, especially since he has a rival on earth called Joseph ?"

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Peter Greenaway (né en 1942, Newport, Pays de Galles, vit et travaille à Amsterdam) est un cinéaste et plasticien gallois, dont les expositions et installations ont pu être vues au Palazzo Fortuny, Venise, à la Galerie Joan Miro, Barcelone, le Boijmans van Beuningen, Rotterdam ainsi qu'au Louvre. Réalisateur de 12 films et près de 50 courts métrages et documentaires, il est régulièrement nominé aux festivals de Cannes, Venise et Berlin. Il a collaboré avec les compositeurs Michael Nyman, Glen Branca, Wim Mertens, Jean-Baptiste Barriere, Philip Glass, Louis Andriessen, Borut Krzisnik et David Lang. Parmi ses œuvres majeures, Meurtre dans un jardin anglais, Le Cuisinier, le voleur, sa femme et son amant, The Pillow Book, The Tulse Luper Suitcases... Eisenstein, the great and innovative russian film director went to Mexico in 1930 to make a film about pre-Columbian peoples. Whilst in Mexico this super-intellectual polymath, product of a powerful political turmoil, came face to face with sex and death, life's two non-negotiables, and subject of man's greatest fascinations. Aged 33, he was obsessed by a museum of corpses, and a child, victim of a mud-slide, died in his arms. And he fell in consummated carnal in love with a man. Here is an account of ten days that shook Eisenstein. He returned to Russia a changed man and a changed film-maker.

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Peter Greenaway (né en 1942, Newport, Pays de Galles, vit et travaille à Amsterdam) est un cinéaste et plasticien gallois, dont les expositions et installations ont pu être vues au Palazzo Fortuny, Venise, à la Galerie Joan Miro, Barcelone, le Boijmans van Beuningen, Rotterdam ainsi qu'au Louvre. Réalisateur de 12 films et près de 50 courts métrages et documentaires, il est régulièrement nominé aux festivals de Cannes, Venise et Berlin. Il a collaboré avec les compositeurs Michael Nyman, Glen Branca, Wim Mertens, Jean-Baptiste Barriere, Philip Glass, Louis Andriessen, Borut Krzisnik et David Lang. Parmi ses œuvres majeures, Meurtre dans un jardin anglais, Le Cuisinier, le voleur, sa femme et son amant, The Pillow Book, The Tulse Luper Suitcases... Inspired by Shakespeare’s famous words, "If music be the food of love, play on," The Food of Love, by British director Peter Greenaway (born 1942), is a story of amorous obsession set in Venice and London. What happened to the boy Tadzio on the venetian Lido beach in Thomas Mann's and Luchino Visconti's "Death in Venice" ? Greenaway says : "If music be the food of love, play on ; give me excess of it, that, surfeiting, the appetite may sicken, and so die. Enough, no more : Tis not so sweet now as it was before". This could be the key to Tadzio's possible story some 40 years later, for Tadzio, or someone verry much like him, cannot relinquish the memory of a piece of music and all it meant for him. He becomes a violent blackmailer preying on sexual indiscretions, becoming wealthy enough to emply his own quartet of musicians to play him Vivaldi bassoon concertos on demand - in prison, in the courtroom, in the streets, in restaurants, swimming-pools, in his bedroom when he is making love to his mistress. He lives a lie as a macho functioning heterosexual because of his boyhood seduction by a Venetian bossoon player who played Vivaldi to accompany the thrilling destructive experience he obsessively and hopelessly attempts to recover. Recovery is an impossibility on every level. His attempts to relive the experience destroys him.

Film --- Dialogue --- Scénario --- Cinéma --- Théâtre