Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In Elf Queens and Holy Friars Richard Firth Green investigates an important aspect of medieval culture that has been largely ignored by modern literary scholarship: the omnipresent belief in fairyland.Taking as his starting point the assumption that the major cultural gulf in the Middle Ages was less between the wealthy and the poor than between the learned and the lay, Green explores the church's systematic demonization of fairies and infernalization of fairyland. He argues that when medieval preachers inveighed against the demons that they portrayed as threatening their flocks, they were in reality often waging war against fairy beliefs. The recognition that medieval demonology, and indeed pastoral theology, were packed with coded references to popular lore opens up a whole new avenue for the investigation of medieval vernacular culture.Elf Queens and Holy Friars offers a detailed account of the church's attempts to suppress or redirect belief in such things as fairy lovers, changelings, and alternative versions of the afterlife. That the church took these fairy beliefs so seriously suggests that they were ideologically loaded, and this fact makes a huge difference in the way we read medieval romance, the literary genre that treats them most explicitly. The war on fairy beliefs increased in intensity toward the end of the Middle Ages, becoming finally a significant factor in the witch-hunting of the Renaissance.

Fairies --- Folklore --- Literature --- Religion --- Religion, Primitive --- Appraisal of books --- Books --- Evaluation of literature --- History --- History and criticism --- Appraisal --- Evaluation --- Atheism --- God --- Irreligion --- Religions --- Theology --- Criticism --- Literary style --- Civilization, Medieval. --- Europe --- Civilization, Medieval --- Medieval civilization --- Middle Ages --- Civilization --- Chivalry --- Renaissance

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The Singer and the Scribe brings together studies of the European ballad from the Middle Ages to the twentieth century by major authorities in the field and is of interest to students of European literature, popular traditions and folksong. It offers an original view of the development of the ballad by focusing on the interplay and interdependence of written and oral transmission, including studies of modern singers and their repertoires and of the role of the audience in generating a literary product which continues to live in performance. While using specific case studies the contributors systematically extend their reflections on the ballad as song and as poetry to draw broader conclusions. Covering the Hispanic world, including the Sephardic tradition, Scandinavia, The Netherlands, Greece, Russia, England and Scotland the essays also demonstrate the interconnections of a European tradition beyond national boundaries.

Ballads [English ] --- History and criticism --- Congresses --- Ballads --- Europe --- Ballads, English --- History and criticism. --- English ballads --- English ballads and songs --- Folk ballads --- Lyric poetry --- Poetry --- Songs --- Vocal music --- Folk songs

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)