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Grundsätzliches und Spezielles zu Heinrich Isaacs cantus-firmus-gebundenen Chansonarrangements
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Isaac, Heinrich

Die in Orgeltabulaturen überlieferten Instrumentalwerke Jacob Hasslers und ihre stilistischen Grundlagen: Studien zur Instrumentalmusik des 16. und frühen 17. Jahrhunderts
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ISBN: 3795206308 Year: 1990 Publisher: Tutzing Schneider

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Hassler, Jacob


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Simone Verovio : Music printing, intabulations and basso continuo in Rome around 1600
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Year: 2018 Publisher: Böhlau

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Simone Verovio was the first printer to produce a substantial number of musical prints using engraved copper plates. This intaglio printing technique not only allowed him to print on demand, but also to combine different kinds of notation on one page opening: voice parts with corresponding harpsichord and lute intabulations. This detailed comparison of intaglio and relief printing techniques in the editions associated with Verovio sheds light on the production of sheet music around 1600 and the comparison of the vocal and instrumental parts provides ground-breaking insights into historical performance practice.


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Österreichs Neue Musik nach 1945 : Karl Schiske.
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ISBN: 9783205994916 Year: 2008 Publisher: Wien Böhlau

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Simone Verovio : Music printing, intabulations and basso continuo in Rome around 1600
Authors: --- ---
Year: 2018 Publisher: Böhlau

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Simone Verovio was the first printer to produce a substantial number of musical prints using engraved copper plates. This intaglio printing technique not only allowed him to print on demand, but also to combine different kinds of notation on one page opening: voice parts with corresponding harpsichord and lute intabulations. This detailed comparison of intaglio and relief printing techniques in the editions associated with Verovio sheds light on the production of sheet music around 1600 and the comparison of the vocal and instrumental parts provides ground-breaking insights into historical performance practice.


Book
Simone Verovio : Music printing, intabulations and basso continuo in Rome around 1600
Authors: --- ---
Year: 2018 Publisher: Böhlau

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Abstract

Simone Verovio was the first printer to produce a substantial number of musical prints using engraved copper plates. This intaglio printing technique not only allowed him to print on demand, but also to combine different kinds of notation on one page opening: voice parts with corresponding harpsichord and lute intabulations. This detailed comparison of intaglio and relief printing techniques in the editions associated with Verovio sheds light on the production of sheet music around 1600 and the comparison of the vocal and instrumental parts provides ground-breaking insights into historical performance practice.


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Frauen in der Musikwissenschaft
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Year: 1999 Publisher: Wien [Universität für Musik und Darstellende Kunst]

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