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Graphic arts --- anno 1700-1799 --- France
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History --- Sculpture --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Sculpture, Classical --- Civilization, Medieval --- Sculpture, Greek --- Sculpture, Roman --- Sculpture antique --- Civilisation médiévale --- Sculpture grecque --- Sculpture romaine --- Appreciation. --- Reproduction --- Classical influences. --- Appreciation --- Appréciation --- Influence ancienne --- Civilisation médiévale --- Appréciation --- antieke beeldhouwkunst --- invloed van antieke kunst
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The RF 1475–1556 Louvre Album is universally regarded as a corpus of drawings that was executed by the Venetian painter Jacopo Bellini. The album’s trajectory prior to coming into the possession of the Bellini family is elucidated in the present book. Based on Norberto Gramaccini’s interpretation, it was the Paduan painter Francesco Squarcione who was the mastermind and financier behind the drawings. The preparatory work had actually been delegated to his most gifted pupils, among them Andrea Mantegna, Jacopo Bellini´s future son-in-law. The drawing’s topics —anatomy, perspective, archeology, mythology, contemporary chronicles, and zoology —were part of the teaching program of an art academy established by Squarcione in the 1440s, famous in its day, which provided crucial impulses for the training of artists in the modern era.
Drawing --- sketchbooks --- attribution --- art schools [institutions] --- Bellini, Jacopo --- Squarcione, Francesco --- Musée du Louvre [Paris] --- Louvre Museum [Paris]
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The RF 1475–1556 Louvre Album is universally regarded as a corpus of drawings that was executed by the Venetian painter Jacopo Bellini. The album’s trajectory prior to coming into the possession of the Bellini family is elucidated in the present book. Based on Norberto Gramaccini’s interpretation, it was the Paduan painter Francesco Squarcione who was the mastermind and financier behind the drawings. The preparatory work had actually been delegated to his most gifted pupils, among them Andrea Mantegna, Jacopo Bellini´s future son-in-law. The drawing’s topics —anatomy, perspective, archeology, mythology, contemporary chronicles, and zoology —were part of the teaching program of an art academy established by Squarcione in the 1440s, famous in its day, which provided crucial impulses for the training of artists in the modern era.
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Engraving, French --- Prints, French --- Gravure française --- Estampe française --- reproducties --- 1648 - 1792 --- 76 <44> "16" --- 76 <44> "17" --- Grafische kunsten. Grafiek. Prentkunst--Frankrijk--17e eeuw. Periode 1600-1699 --- Grafische kunsten. Grafiek. Prentkunst--Frankrijk--18e eeuw. Periode 1700-1799 --- 76 <44> "17" Grafische kunsten. Grafiek. Prentkunst--Frankrijk--18e eeuw. Periode 1700-1799 --- 76 <44> "16" Grafische kunsten. Grafiek. Prentkunst--Frankrijk--17e eeuw. Periode 1600-1699 --- Gravure française --- Estampe française --- prints [visual works] --- History --- Graphic arts --- Art, French --- French prints --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art --- Visual communication --- French engraving --- Art, Modern --- French art --- Ecole de Nice (Group of artists) --- Forces nouvelles (Group of artists) --- Nabis (Group of artists) --- Ne pas plier (Group of artists) --- Copying --- Reproduction --- grafiek --- 17de eeuw --- 18de eeuw --- Frankrijk --- Arts graphiques --- Histoire --- Franse school --- reproducties. --- 1648 - 1792. --- 17de eeuw. --- 18de eeuw. --- Frankrijk. --- affiche.
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Graphic arts --- anno 1400-1499 --- anno 1500-1599 --- Italy
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Graphic arts --- prints [visual works] --- anno 1400-1499 --- anno 1500-1599 --- Italy
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