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Femme (Théologie chrétienne) dans la littérature --- Femmes dans la littérature --- Femmes dans la poésie --- Femmes dans le théâtre --- Glasnost --- Vrouw (Christelijke theologie) in de literatuur --- Vrouwen in de literatuur --- Vrouwen in de poëzie --- Vrouwen in het toneel --- Woman (Christian theology) in literature --- Women in drama --- Women in literature --- Women in poetry --- Russian literature --- 20th century --- History and criticism --- Popular culture --- Soviet Union --- Politics and government --- 1985-1991 --- Women authors --- Russia (Federation) --- Russian literature - Women authors - History and criticism. --- Popular culture - Russia (Federation)
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The 1980s witnessed the ascendency of Russian women in multiple spheres of artistic creation, including literature, film, and painting. This volume may thus be said to engage not only women's artistic production but, indeed, the best and most colourful of recent Russian culture. Treating contemporary Russian women's creativity, it approaches women's texts, films, and canvasses from a range of perspectives, from anti-gendered to feminist. Some of the essays introduce writers not previously well studied, others challenge conventional interpretations and assumptions, while still others yield orig
Russian literature --- Women and literature --- Women authors --- History and criticism. --- History --- Russia (Federation) --- Intellectual life.
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Presidents --- Russians --- Attitudes --- Putin, Vladimir Vladimirovich, --- In literature. --- Public opinion.
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#SBIB:004.IEB --- #SBIB:94H6 --- #SBIB:316.346H20 --- Geschiedenis van Rusland en de landen van de USSR --- Positie van de vrouw in de samenleving: algemeen --- Women --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Russia --- Soviet Union --- Civilization --- Civilization. --- 1801-1917
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Focusing on the problems and conflicts of doing African diaspora research from various disciplinary perspectives, these essays situate, describe, and reflect on the current practice of diaspora scholarship. Tejumola Olaniyan, James H. Sweet, and the international group of contributors assembled here seek to enlarge understanding of how the diaspora is conceived and explore possibilities for the future of its study. With the aim of initiating interdisciplinary dialogue on the practice of African diaspora studies, they emphasize learning from new perspectives that take advantage of intersections between disciplines. Ultimately, they advocate a fuller sense of what it means to study the African diaspora in a truly global way.
Culture and globalization --- Cultural property --- Art, Yoruba --- Art and society --- Art --- Art and sociology --- Society and art --- Sociology and art --- Art, Yoruba (African people) --- Yoruba art --- Globalization and culture --- Globalization --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Protection --- Social aspects --- Motion pictures --- Fathers and sons in motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History --- History and criticism --- Fathers and sons in motion pictures --- Motion pictures -- Russia (Federation) -- History -- 20th century --- Film --- Music, Dance, Drama & Film --- E-books --- African diaspora --- Black diaspora --- Diaspora, African --- Human geography --- Africans --- Transatlantic slave trade --- Study and teaching (Higher) --- Migrations --- Sociology of the family. Sociology of sexuality --- Russia --- Diasporas --- Africains --- Étude et enseignement (supérieur) --- À l'étranger --- Étude et enseignement (supérieur) --- À l'étranger
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This volume examines areas of cultural production that have offered Russian women new freedoms and have opened commercial and artistic possibilities to them since the 19th century. Key aspects of Russian culture that have been systematically ignored are foregrounded here: Russian women's development of "popular" culture and their ingenious reinventions of "high" literature. The essays analyze women's creativity of every type--their products, performances, and collaborative exchanges--in sites that range from the bath-house to the ballroom.Contributors are Nadezhda Azhgikhina, Lina Bernstein, Nancy Condee, Darra Goldstein, Helena Goscilo, Gitta Hammarberg, Alison Hilton, Beth Holmgren, Mary B. Kelly, Louise McReynolds, Nadya L. Peterson, Stephanie Sandler, and Ol'ga Vainshtein.
Europe, Eastern --- History --- Soviet union --- Women --- Social science
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Women --- Women --- Intellectual life.
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English prose literature --- Glasnost --- Russian prose literature --- Translations from Russian --- Fiction --- Translations into English. --- Soviet Union --- Politics and government --- Fiction.
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