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"Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the "psychoacoustic correction" aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or "sound bombs") over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations." "Most theoretical discussions of sound and music cultures in relationship to power, Goodman argues, have a missing dimension: the politics of frequency. Goodman supplies this by drawing a speculative diagram of sonic forces, investigating the deployment of sound systems in the modulation of affect. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture." "Goodman concludes with speculations on the not yet heard - the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths."--Jacket.
Music --- Acoustics and physics --- Social aspects --- Philosophy and aesthetics --- Acoustics and physics. --- Social aspects. --- Philosophy and aesthetics. --- cultuurfilosofie --- muziek --- geluid --- klank --- politiek --- akoestiek --- fysica --- akoestiek en politiek --- akoestiek en angst --- angst --- psychologie --- 130.2 --- Music and society --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Musical acoustics --- Physics --- Sound --- Monochord --- Philosophy --- Music - Acoustics and physics --- Music - Social aspects --- Music - Philosophy and aesthetics --- Music - psychology --- Sound - adverse effects --- Acoustic Stimulation - adverse effects --- Fear - psychology --- Son --- Acoustique appliquée --- Psychologie --- DIGITAL HUMANITIES & NEW MEDIA/General --- COMPUTER SCIENCE/Computer Music --- SOCIAL SCIENCES/Political Science/General --- Acoustic Stimulation --- Fear
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iPhone with Microsoft Exchange Server 2010 - Business Integration and Deployment is a practical, step-by-step tutorial on planning, installing and configuring Exchange Server to deploy iPhones into your business. This book is aimed at system administrators who don't necessarily know about Exchange Server 2010 or ActiveSync-based mobile devices. A basic level of knowledge around Windows Servers is expected, and knowledge of smartphones and email systems in general will make some topics a little easier.
iPhone (Smartphone) --- Client/server computing --- Application software --- Development of application software --- Apple iPhone (Smartphone) --- Smartphones --- Programming. --- Development. --- Microsoft Exchange server. --- Microsoft Exchange 2000 --- Computing, Client/server --- Electronic data processing --- Distributed processing --- E-books
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Reclaim Social Work (RSW) is the innovative model of children's social work pioneered by the London Borough of Hackney. This book sets out what RSW is, how it was set up, and the theory and evidence base underlying it. Chapters written by RSW social workers outline the methodological approaches used and demonstrate how it works in practice.
Family social work. --- Social work with children. --- Children --- Family case work --- Social work with families --- Family services --- Social case work
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L’expérience moderne du sonore est ambiguë : utilisé comme arme, le son peut être une modalité de contrôle social redoutable. De Guantanamo aux « bombes ultrasoniques » à Gaza, le bruit est au cœur des technologies militaires et de pouvoir. Mais il a aussi été réinvesti par les artistes, les musiciens notamment, comme esthétique de l’intensité acoustique : du hardcore à la bass music, en passant par la noise ou les musiques industrielles, le bruit peut être investi d’une dimension profondément utopique. Et c’est tout l’enjeu de Guerre sonore, l’ouvrage du britannique Steve Goodman (fondateur du label Hyperdub), connu sous le nom de Kode 9 comme une figure importante des musiques électroniques contemporaines, que d’explorer cette dualité.
Son --- Musique --- Armes acoustiques --- Effet sonore --- Perception sensible
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Art --- installations [visual works] --- multimedia works --- visionary architecture --- video art --- site-specific works --- hotels [built public accommodations] --- virtual reality --- artificial intelligence --- KI (kunstmatige intelligentie) --- Goodman, Steve --- Lek, Lawrence --- AI (artificiële intelligentie)
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