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In this study, impressively grounded in literary criticism, social history, and political theory, Goodlad offers a timely post-Foucauldian account of Victorian governance that speaks to the resurgent neoliberalism of our own day.

Etat [L' ] dans la littérature --- Liberalism in de literatuur --- Liberalism in literature --- Libéralisme dans la littérature --- Problèmes sociaux dans la littérature --- Social problems in literature --- Sociale problemen in de literatuur --- Staat [De ] in de literatuur --- State [The] in literature --- English literature --- -Liberalism --- -Liberalism in literature --- Literature and society --- -Literature and state --- -Politics and literature --- -Social problems in literature --- State, The, in literature --- Liberal egalitarianism --- Liberty --- Political science --- Social sciences --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Literature --- Literature and politics --- State and literature --- Authors and patrons --- Cultural policy --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- History and criticism --- History --- -History --- Political aspects --- Social aspects --- Great Britain --- Politics and government --- -English literature --- -Etat [L' ] dans la littérature --- Liberalism --- Literature and state --- Politics and literature --- 19th century --- 1837-1901 --- Social problems in literature. --- State, The, in literature. --- Liberalism in literature. --- History and criticism.

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Goth culture (Subculture).

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Since the show's debut in 2007, Mad Men has invited viewers to immerse themselves in the lush period settings, ruthless Madison Avenue advertising culture, and arresting characters at the center of its 1960s fictional world. Mad Men, Mad World is a comprehensive analysis of this groundbreaking TV series. Scholars from across the humanities consider the AMC drama from a fascinating array of perspectives, including fashion, history, architecture, civil rights, feminism, consumerism, art, cinema, and the serial format, as well as through theoretical frames such as critical race theory, gender, queer theory, global studies, and psychoanalysis. In the introduction, the editors explore the show's popularity; its controversial representations of race, class, and gender; its powerful influence on aesthetics and style; and its unique use of period historicism and advertising as a way of speaking to our neoliberal moment. Mad Men, Mad World also includes an interview with Phil Abraham, an award-winning Mad Men director and cinematographer. Taken together, the essays demonstrate that understanding Mad Men means engaging the show not only as a reflection of the 1960s but also as a commentary on the present day. Contributors. Michael Bérubé, Alexander Doty, Lauren M. E. Goodlad, Jim Hansen, Dianne Harris, Lynne Joyrich, Lilya Kaganovsky, Clarence Lang, Caroline Levine, Kent Ono, Dana Polan, Leslie Reagan, Mabel Rosenheck, Robert A. Rushing, Irene Small, Michael Szalay, Jeremy Varon

Performing Arts / Television / History & Criticism --- Performing arts --- Show business --- Arts --- Performance art

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Since the show's debut in 2007, Mad Men has invited viewers to immerse themselves in the lush period settings, ruthless Madison Avenue advertising culture, and arresting characters at the center of its 1960s fictional world. Mad Men, Mad World is a comprehensive analysis of this groundbreaking TV series. Scholars from across the humanities consider the AMC drama from a fascinating array of perspectives, including fashion, history, architecture, civil rights, feminism, consumerism, art, cinema, and the serial format, as well as through theoretical frames such as critical race theory, gender, queer theory, global studies, and psychoanalysis. In the introduction, the editors explore the show's popularity; its controversial representations of race, class, and gender; its powerful influence on aesthetics and style; and its unique use of period historicism and advertising as a way of speaking to our neoliberal moment. Mad Men, Mad World also includes an interview with Phil Abraham, an award-winning Mad Men director and cinematographer. Taken together, the essays demonstrate that understanding Mad Men means engaging the show not only as a reflection of the 1960s but also as a commentary on the present day.

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