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"Jusqu'à trente ans, tu as la gueule que Dieu t'a donnée. Après, tu as la gueule que tu mérites... Francisco, comporte-toi bien Je sais que c'est ton anniversaire, que tu as trente ans maintenant, que c'est le carnaval et que tu t'es déguisé en cow-boy pour la fête de l'école, que tu es entouré de gosses que tu hais... Mais ce n'est pas une raison pour tirer la gueule. Contrôle-toi Tu ne vois pas que personne ne te supporte Tu te casses la figure, tu vas à l'hôpital, tu as la rubéole et personne pour veiller sur toi... Sept nains seraient bien venus, tout comme dans Blanche Neige... Francisco, répète après moi ""Jusqu'à trente ans, tu as la gueule que Dieu t'a donnée. Après, tu as la gueule que tu mérites""."
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Completa bibliografía, acompañada de textos críticos, que facilita la búsqueda de las líneas más importantes y novedosas de la interpretación y reinterpretación de las vanguardias literarias en estos cinco países.
Hispanic Literature, general. --- Literary Studies. --- Spanish American literature --- Literature, Experimental --- Literatura hispanoamericana --- Literatura experimental --- History and criticism. --- Bibliography. --- Bibliografías. --- Historia y crítica. --- Avant-garde literature --- Experimental literature --- Avant-garde (Aesthetics) --- Modernism (Literature) --- Literary style
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Heiner Müller’s re-imaginings of William Shakespeare have puzzled and fascinated readers and spectators alike for the past forty-five years. For the first time, this study addresses all of Müller’s re-workings of Shakespeare, including dramatic adaptations, translations, poems, references in interviews and in his autobiography, as well as fragments of unfinished projects, not forgetting the strong Shakespearean echoes in Müller’s last play, Germania 3 . An analysis of Müller’s diverse positions regarding different understandings of history and of its catastrophic violence suggests that Shakespeare is at the literary and theoretical core of Müller’s always complex and conflicted relation with philosophy of history and with the notions of heritage, fragmentation and difference.
Müller, Heiner, --- Shakespeare, William, --- Criticism and interpretation. --- Influence.
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