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In late imperial China, opera transmitted ideas across the social hierarchy about the self, family, society, and politics. Beijing attracted a diverse array of opera genres and audiences and, by extension, served as a hub for the diffusion of cultural values. It is in this context that historian Andrea S. Goldman harnesses opera as a lens through which to examine urban cultural history. Her meticulous yet playful account takes up the multiplicity of opera types that proliferated at the time, exploring them as contested sites through which the Qing court and commercial playhouses n
Operas, Chinese --- Beijing operas --- Chinese operas --- Ching chü --- Jingju --- Operas, Beijing --- Operas, Peking --- Peking operas --- Pʻing chü (Chinese operas) --- Chinese drama --- Social aspects --- Political aspects --- History and criticism. --- Beijing (China) --- Beijing Shi (China) --- Begejing (China) --- Begejing Qota (China) --- Bėėzhin (China) --- Бээжин (China) --- Peiping (China) --- Peping (China) --- Pekin (China) --- Pei-ching shih (China) --- Pei-pʻing shih (China) --- Peking (China) --- Pukkyŏng (China) --- Beijing Municipality (China) --- Bei Jing Shi (China) --- Pei-ching (China) --- Pechino (China) --- Pequim (China) --- Peiping Municipal Administrative Area (China) --- Peiping Municipality (China) --- Peking Municipality (China) --- Bījīn (China) --- Dadu (China) --- Daidu (China) --- 北京 (China) --- Beiping Tebieshi zheng fu --- Beiping Shi zheng fu --- Beiping Shi di fang wei chi hui --- Beijing di fang wei chi hui --- Beijing Tebieshi zheng fu --- Beijing Tebieshi gong shu --- Beijing Shi ren min zheng fu --- Beijing Shi ren min wei yuan hui --- Beijing Shi ge ming wei yuan hui --- Intellectual life --- Opera --- S16/0300 --- Comic opera --- Lyric drama --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- History and criticism --- China: Literature and theatrical art--Traditional theatre: studies
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