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In 'Up from Zero, 'Paul Goldberger, winner of the Pulitzer Prize, tells the inside story of the quest to rebuild one of the most important symbolic sites in the world, the sixteen acres where the towers of the former World Trade Center stood. A story of power, politics, architecture, community, and culture, 'Up from Zero' takes us inside the controversial struggle to create and build one of the most challenging urban-design projects in history. What should replace the fallen towers? Who had the courage and vision to rise to the task of rebuilding? Who had the right, finally, to decide? The struggle began soon after September 11, 2001, as titanic egos took sides, made demands, and jockeyed for power. Lawyers, developers, grieving families, local residents, politicians, artists, and architects all had fierce needs, radically different ideas, strong emotions, and boundless determination. How could conflicting interests be resolved? After hundreds of hours of often rancorous meetings, the first sets of plans were finally revealed in the summer of 2002& and the results were staggeringly disappointing. Yet, as Goldberger shows, the rebuilding process recovered and began to flourish. Rather than degenerating into turf wars, it evolved in ways that no one could have predicted. From the decision to reintegrate the site into the dense fabric of lower Manhattan, to the choice of Daniel Libeskind as master planner, to the appointment of a memorial jury, the process has been marked by moments of bold vision, effective community activism, and personal instinct, punctuating the often contentious politics of public participation. 'Up from Zero 'takes in the full sweep of this tremendous effort. Goldberger presents a drama of creative minds at work, solving seemingly insurmountable clashes of taste, interests, and ideas. With unique access to the players and the process, and with a sophisticated understanding of architecture and its impact on people and on the social and cultural
Architecture --- City planning --- Memorials --- History --- Planning. --- New York (N.Y.) --- World Trade Center Site (New York, N.Y.) --- Buildings, structures, etc. --- World Trade Center Site (New York, N.Y.). --- New York (State) --- 21st century --- Planning
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Why Architecture Matters is not a work of architectural history or a guide to the styles or an architectural dictionary, though it contains elements of all three. The purpose of Why Architecture Matters is to "come to grips with how things feel to us when we stand before them, with how architecture affects us emotionally as well as intellectually"-with its impact on our lives. "Architecture begins to matter," writes Paul Goldberger, "when it brings delight and sadness and perplexity and awe along with a roof over our heads." He shows us how that works in examples ranging from a small Cape Cod cottage to the "vast, flowing" Prairie houses of Frank Lloyd Wright, from the Lincoln Memorial to the highly sculptural Guggenheim Bilbao and the Church of Sant'Ivo in Rome, where "simple geometries . . . create a work of architecture that embraces the deepest complexities of human imagination."Based on decades of looking at buildings and thinking about how we experience them, the distinguished critic raises our awareness of fundamental things like proportion, scale, space, texture, materials, shapes, light, and memory. Upon completing this remarkable architectural journey, readers will enjoy a wonderfully rewarding new way of seeing and experiencing every aspect of the built world.
Architecture --- Architecture and society. --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Environmental psychology --- Psychological aspects. --- Social aspects --- Human factors
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"From one of our foremost architectural writers: an engaging, brilliant exploration of the life and work of the most famous architect of our time, and one of the few architects ever to be widely admired by both critics and the general public.This first full-fledged critical biography of Frank Gehry presents and evaluates the work of a man whom fifty architects, critics, and historians assembled by Vanity Fair designated "the most important architect in the world." It discusses at length his major buildings: from his own house--an "exploded" Dutch Colonial in Santa Monica--to the Guggenheim Museum in Bilbao, which has almost single-handedly transformed contemporary architecture. It considers the work in light of Gehry's personal life: the influence of his immigrant grandparents, his two marriages, his close relationships to an unusual circle of celebrated clients and friends, his longtime therapist. It analyzes his carefully created "aw, shucks" persona and the intense ambition it masks; examines Gehry's anxieties about fame and how his "outsider" status as a Los Angeles architect allowed him to experiment in useful ways; and finally discusses how he thinks about and employs technology to change not just the way a building can look but the way architecture itself is practiced"
Architecture --- Frank Gehry Office --- Architects --- Gehry, Frank --- 72.07 --- Biografieën ; architecturale ; Frank Gehry --- Gehry, Frank Owen °1929 (°Toronto, Canada) --- Architectuur ; 20ste en 21ste eeuw ; Fr. Gehry --- Architecten. Stedenbouwkundigen A - Z --- Gehry, Frank O., --- Gehry, Frank, --- Goldberg, Frank, --- Gehry, Frank Owen, --- Goldberg, Ephraim Owen,
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Architecture --- architects --- Pelli, Cesar --- United States of America
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Architecture, Domestic --- Architecture --- Architects --- Architecture domestique --- Architectes --- History --- Histoire --- Meier, Richard,
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