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Death, Beauty, Struggle represents a long labor of love and the summation of forty years of Margaret Trawick's groundbreaking research. Centering her gaze on the lowest castes of India, now called Dalits, she describes the experience of women at this precarious level who are still treated as sub-human, sometimes by family members, sometimes by higher-caste men. Their private worlds, however, are full of art; rural Dalit women sing beautiful songs of their own making and tell remarkable narratives of their own lives.Much that Tamil women shared with Trawick is rooted in the passionate attachments and acute wounds generated within families, but these women's voices resonate well beyond individually circumscribed lives. In their songs and life stories they critique social, political, economic, and domestic oppressions. They also incorporate visions of natural beauty and immanent divinity. Trawick presents Tamil women's words as relevant to universal human themes.Trawick's frames of analysis, developed throughout her long career of fieldwork in India, inform her ethnography of expressive culture. The songs and stories of Dalit women were recorded and transcribed, to be translated into lyrical passages in her own work. Death, Beauty, Struggle demonstrates a conviction that persons without privilege-from the rape victim to the landless laborer-possess both power and agency. Through verbal arts, Dalit women produce not only acute cultural critiques but also astonishing beauty.
Women and religion --- Women and spiritualism --- Dalit women --- Women --- Spiritualism and women --- Spiritualism --- Religion and women --- Women in religion --- Religion --- Sexism in religion --- Psychology. --- Attitudes.
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In many South Asian oral traditions, herons are viewed as duplicitous and conniving. These traditions tend also to view women as fragmented identities, dangerously split between virtue and virtuosity, between loyalties to their own families and those of their husbands. In women's songs, however, symbolic herons speak, telling of alternative moral perspectives shaped by women. The heron's words-and women's expressive genres more generally-criticize pervasive North Indian ideologies of gender and kinship that place women in subordinate positions. By inviting readers to "listen to the heron's words," the authors convey this shift in moral perspective and suggest that these spoken truths are compelling and consequential for the women in North India.The songs and narratives bear witness to a provocative cultural dissonance embedded in women's speech. This book reveals the power of these critical commentaries and the fluid and permeable boundaries between spoken words and the lives of ordinary village women.
Folk literature, Indic --- Women --- Sex role --- Folklore --- Anthropology --- Social Sciences --- India --- Gender role --- Indic folk literature --- Rajasthan (India) --- Uttar Pradesh (India) --- Social life and customs --- Sex (Psychology) --- Sex differences (Psychology) --- Social role --- Gender expression --- Sexism --- Indic literature --- Social life and customs. --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- U.P. --- UP --- State of Uttar Pradesh (India) --- Uttara Pradeśa (India) --- Уттар-Прадеш (India) --- United Provinces of Agra and Oudh (India) --- Folk literature, Indic - India - Uttar Pradesh --- Folk literature, Indic - India - Rajasthan --- Women - India - Folklore --- Sex role - India --- Rajasthan (India) - Social life and customs --- Uttar Pradesh (India) - Social life and customs
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Madhu Natisar Nath is a Rajasthani farmer with no formal schooling. He is also a singer, a musician, and a storyteller. At the center of A Carnival of Parting are Madhu Nath's oral performances of two linked tales about the legendary Indian kings, Bharthari of Ujjain and Gopi Chand of Bengal. Both characters, while still in their prime, leave thrones and families to be initiated as yogis—a process rich in adventure and melodrama, one that offers unique insights into popular Hinduism's view of world renunciation. Ann Grodzins Gold presents these living oral epic traditions as flowing narratives, transmitting to Western readers the pleasures, moods, and interactive dimensions of a village bard's performance.Three introductory chapters and an interpretive afterword, together with an appendix on the bard's language by linguist David Magier, supply A Carnival of Parting with a full range of ethnographic, historical, and cultural backgrounds. Gold gives a frank and engaging portrayal of the bard Madhu Nath and her work with him.The tales are most profoundly concerned, Gold argues, with human rather than divine realities. In a compelling afterword, she highlights their thematic emphases on politics, love, and death. Madhu Nath's vital colloquial telling of Gopi Chand and Bharthari's stories depicts renunciation as inevitable and interpersonal attachments as doomed, yet celebrates human existence as a "carnival of parting."
Tales --- Folk songs, Rajasthani --- Storytellers --- Folk singers --- Anthropology --- Social Sciences --- Folklore --- Folksingers --- Raconteurs --- Tellers of stories --- Rajasthani ballads and songs --- Rajasthani folk songs --- Folk musicians --- Singers --- Entertainers --- Folk songs, Rajasthani. --- Nath, Madhu Natisar. --- Madhu Natisar Nath --- adventure. --- bengal. --- bharthari of ujjain. --- birth story. --- black hole of fate. --- cultural studies. --- detachment. --- divine. --- ethnography. --- fatalism. --- folklore. --- gopi chand of bengal. --- gorakh nath. --- guru. --- hindu. --- hinduism. --- history. --- human existence. --- humanity. --- indian kings. --- madhu natisar nath. --- magical powers. --- melodrama. --- musician. --- north indian hinduism. --- oral performances. --- oral traditions. --- performance. --- pottery lessons. --- rajasthani farmer. --- singer. --- spiritual. --- storyteller. --- thrones. --- village bard. --- world renunciation. --- yogis. --- Nath, Madhu Natisar
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Rajasthan (India) --- Rajasthan (India) --- Rajasthan (India) --- Rajasthan (India) --- Rural conditions. --- Kings and rulers. --- Social conditions. --- Economic conditions.
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In the Time of Trees and Sorrows showcases peasants’ memories of everyday life in North India under royal rule and their musings on the contrast between the old days and the unprecedented shifts that a half century of Indian Independence has wrought. It is an oral history of the former Kingdom of Sawar in the modern state of Rajasthan as it was from the 1930's to the 1950's.Based on testimonies from the 1990's, this book stands as a polyvocal account of the radical political and environmental changes the region and its people have faced in the twentieth century. Not just the story of modernity from the perspective of a rural village, these interviews and author commentaries narrate this small rural community’s relatively sudden transformation from subjection to a local despot and to a remote colonial power to citizenship in a modern postcolonial democracy. Unlike other recent studies of Rajasthan, the current study gives voice exclusively to former subjects who endured the double oppression of colonial and regional rulers. Gold and Gujar thus place subjective subaltern experiences of daily routines, manifestations of power relations, and sweeping changes to the environment (after the fall of kings) that turned lush forests into a barren landscape on equal footing with historical “fact” and archival sources. Ambiguous, complex, and culturally laden as it is in Western thought, the concept of nature is queried in this ethnographic text. For persons in Sawar the environment is not only a means of sustenance, its deterioration is linked to human morality and to power, both royal and divine. The framing questions of this South Asian history revealed through memories are: what was it like in the time of kings and what happened to the trees?
Kings and rulers --- Rajasthan (India) --- Rajasthan (India) --- Rajasthan (India) --- Rural conditions. --- Social conditions. --- Economic conditions.
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