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The Dimensions of Difference departs from traditional takes on feminist film criticism, and in particular from the psychoanalytical focus on the gaze, to examine the question of sexual difference through three axes: space, time, and bodies. These are some of the most fundamental elements of cinema, which deploys the bodies of actors through space and time, for instance, through camerawork and editing. While this approach may not at first sight seem to be related to questions of gender and sexuality, Caroline Godart demonstrates its relevance to feminist film studies by weaving together careful analyses of space, time, and bodies in women?s cinema with close readings of the same concepts in the works of three philosophers: Luce Irigaray, Henri Bergson, and Gilles Deleuze. The book investigates how certain films generate a cinematic experience of sexual difference, and frames this analysis within a careful philosophical inquiry into the notion of alterity itself. These tools provide fruitful resources for feminist inquiry, giving insights into sexual difference as it operates within film aesthetics and, beyond cinema, in the world at large. The result is a compelling reflection on feminism, film form, and continental philosophy.

Feminism and motion pictures. --- Feminist film criticism. --- Women in motion pictures. --- Féminisme et cinéma --- Critique cinématographique féministe --- Femmes au cinéma --- Campion, Jane --- Denis, Claire, --- Martel, Lucrecia, --- Féminisme et cinéma --- Critique cinématographique féministe --- Femmes au cinéma --- Feminism and motion pictures --- Feminist film criticism --- Women in motion pictures --- Campion, Jane, --- Criticism and interpretation --- Film --- Martel, Lucrecia --- Denis, Claire --- Campion, Jane, - 1954- - Criticism and interpretation --- Denis, Claire, - 1948- - Criticism and interpretation --- Martel, Lucrecia, - 1966- - Criticism and interpretation --- Campion, Jane, - 1954 --- -Denis, Claire, - 1948 --- -Martel, Lucrecia, - 1966 --- -Film --- Feminism --- Feminist criticism --- Movies --- Philosophy --- Book

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Religious studies --- Christian religious orders --- Social policy --- Members of congregations --- Thesis --- Independence --- Spirituality --- Beguines --- Book --- anno 500-1499 --- Belgium

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J'ai souhaité contextualiser ma recherche en rappelant certaines informations sur les contes, leurs origines et l'importance de la culture orale dans ce qu'ils sont devenus aujourd'hui. Pour ce faire, je me suis basé sur un conte qui fait partie des plus connus de la culture francophone : Le Petit Chaperon Rouge, et le travail d'Yvonne Verdier sur ses origines. J'ai également souhaité traiter du graphisme et de l'illustration qui sont les outils utilisés dans mes projets liés à ce mémoire. Pour finir, j'ai travaillé sur des dispositifs graphiques dans le but de retrouver l'oralité et les origines des contes, sans toutefois totalement y parvenir.

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