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Gainsborough, Thomas --- Criticism and interpretation --- Portrait painting [English ] --- 18th century --- Art --- Political aspects --- England --- History

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Current developments in the digital organization of knowledge give rise to an in-depth study in the humanities of the history of the cultural practice of capturing and storing information. This interdisciplinary anthology discusses current research issues on historical theories and practices of information processing in art history research. Using examples from the period between the end of the 17th century and the early 19th century, the contributions investigate how in Europe new ideas of storing knowledge and processing data were reflected in the fine arts and arts theory during this critical period of competing methods of capturing information. Gegenwärtige Entwicklungen in der digitalen Organisation von Wissen geben in den Geisteswissenschaften Anlass zu einer vertieften Auseinandersetzung mit der Geschichte kultureller Praktiken des Speicherns und Erinnerns. Der vorliegende interdisziplinäre Sammelband öffnet aktuelle Forschungsfragen zu historischen Theorien und Praktiken der Informationsverarbeitung für die Kunstgeschichtsforschung. Die Beiträge untersuchen anhand von Fallbeispielen des ausgehenden 17. bis frühen 19. Jahrhunderts, wie in einer Scharnierzeit konkurrierender Gedächtnisdiskurse neue Ideen der Wissensspeicherung und Erinnerungsverarbeitung in den Bildkünsten und der Kunsttheorie Europas reflektiert werden.

Memorialization --- Memorialisation --- Memorials --- Art --- art history --- art theory --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- Europe --- North America

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kleurgebruik. --- kleurtheorie. --- optische instrumenten. --- Constable, John. --- Priestley, Joseph. --- Gainsborough, Thomas. --- Smith, Adam. --- Chardin, Jean Baptiste Siméon. --- Newton, Isaac. --- Denner, Balthasar. --- 18de eeuw. --- 19de eeuw.