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religious history --- Religious architecture --- zeven werken van barmhartigheid --- iconography --- zielen in het vagevuur --- History of Italy --- indulgence [doctrinal concept] --- vagevuur --- History of civilization --- Christian church history --- History of Antwerp --- altars [religious building fixtures] --- charity [philosophical concept] --- Iconography --- popes --- beeldenstorm --- Rubens, Peter Paul --- Veen, van, Otto --- Vos, de, Maarten --- anno 1600-1699 --- Bologna --- Antwerp --- Christian art and symbolism --- Purgatory in art --- Reformation and art --- Art et symbolisme chrétiens --- Purgatoire dans l'art --- Réforme (Christianisme) et art --- 7.045 --- 7.046.3 --- -Christian art and symbolism --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Art and the Reformation --- Art and religion --- Iconografie: allegorieen; symbolen; dodendansen; emblemata --- Iconografie: religieuze voorstellingen --- -Iconografie: allegorieen; symbolen; dodendansen; emblemata --- -7.045 Iconografie: allegorieen; symbolen; dodendansen; emblemata --- Art, Christian --- 7.046.3 Iconografie: religieuze voorstellingen --- altars [religious fixtures] --- Art et symbolisme chrétiens --- Réforme (Christianisme) et art --- -Art and the Reformation --- 7.045 Iconografie: allegorieen; symbolen; dodendansen; emblemata --- Religious art --- Symbolism in art --- Christelijke kunst
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History of civilization --- Esoteric sciences --- anno 1600-1699 --- anno 1500-1599 --- Spirits --- Invisible world --- Powers (Christian theology) --- Supernatural --- Fear of spirits --- History --- Europe --- Civilization.
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In early modern Europe, discernment emerged as a key notion at the intersection of various domains in both learned and artisanal cultures. Often used synonymously with judgment, ingenuity, and taste, discernment defined the ability to perceive and understand the secrets of nature and art, and became explicitly connected with a kind of knowledge available only to experts in the respective fields. With contributions by historians of art and historians of science, and with geographic coverage focusing on the Low Countries and their multiple connections to different parts of the world, this volume reframes recent scholarship on what the editors term 'cultures of knowledge and discernment' in the early modern period. The collection is innovative in its focus on investigating types of knowledge linked to what was then called the 'science' (scientia) of art, to artistic expertise and connoisseurship, and to 'secrets of art and nature.'
art [fine art] --- Art --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Europe --- knowledge --- technical art history --- Arts, European --- Aesthetics --- European arts --- History. --- History of civilization --- History --- Radio broadcasting Aesthetics --- art [discipline] --- kunst en wetenschap
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Spirits – airy, volatile ‘subtle bodies' – occupied a central place in early modern European culture. At the edge of the visible and perceptible, spiritus could signify a broad variety of subtle substances, both natural and divine: the vapours moving inside the body, the elements of air and fire, angels, demons and spectres, the Holy Spirit and the human soul. Spirits functioned as intermediaries between two opposite worlds with continually shifting borders. This book investigates specific meanings and uses of spiritus in a variety of early modern disciplines and fields – physiology, psychology, alchemy, theology, demonology, art theory, music theory, novels and the literature on love – thus revisiting the ambivalent history of a central ancient concept in a period of crisis and change. Contributors include: Wietse de Boer, Sven Dupré, Jennifer Frangos, Axel Christoph Gampp, Christine Göttler, Berthold Hub, Dawn Morgan, Wolfgang Neuber, Bret Rothstein, Rose Marie San Juan, Wilhelm Schmidt-Biggemann, Justin E. H. Smith, Paul J. Smith, Thijs Weststeijn, and Sarah F. Williams.
Geesten. --- Verbeelding. --- Erscheinungen. --- Geist. --- Geisterglaube. --- Gespenst. --- Spuk. --- Unsichtbarkeit. --- Vision. --- Spirits --- Invisible world --- Supernatural --- Fear of spirits --- History. --- Europa (geografie) --- Europe --- Civilization.
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Sensation is the subject of a burgeoning field in the humanities. This volume examines its role in the religious changes and transformations of early modern Europe. Sensation was not only central to the doctrinal disputes of the Reformation, but also critical in shaping new or reformed devotional practices. From this vantage point the book explores the intersections between the world of religion and the spheres of art, music, and literature; food and smell; sacred things and spaces; ritual and community; science and medicine. Deployed in varying, often contested ways, the senses were essential pathways to the sacred. They permitted knowledge of the divine and the universe, triggered affective responses, shaped holy environments, and served to heal, guide, or discipline body and soul. Contributors include Alfred Acres, Barbara Baert, Andrew R. Casper, Wietse de Boer, Sven Dupré, Iain Fenlon, Laura Giannetti, Christine Göttler, Jennifer R. Hammerschmidt, Joseph Imorde, Rachel King, Jennifer Rae McDermott, Walter S. Melion, Matthew Milner, Sarah Joan Moran, Yvonne Petry, and Klaus Pietschmann.
Christian church history --- emotion --- Art --- anno 1600-1699 --- anno 1500-1599 --- Europe --- Senses and sensation --- Senses and sensation in art --- Sens et sensations --- Sens et sensations dans l'art --- Religious aspects --- Christianity --- History. --- Aspect religieux --- Christianisme --- Histoire --- History --- Sensation --- Sensory biology --- Sensory systems --- Knowledge, Theory of --- Neurophysiology --- Psychophysiology --- Perception --- Religious aspects&delete& --- Christianity&delete& --- Senses and sensation - Religious aspects - Christianity - History --- Senses and sensation in art - History --- Senses and sensation - Europe - History --- religious experience
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This book explores the dynamic relationships between sites, peoples, objects, and images during the first age of globalization in early modern Europe. It investigates interactions, interconnections, and entanglements on both micro and macro levels, and aims to understand the specific dynamics of processes of translocal and transcultural intersection. Linking global perspectives with the history of material culture, Sites of Mediation highlights the potential of objects, artefacts, and things to connect (urban) cultures and imaginaries. Individual chapters focus on a number of European cities, which all operated on different levels of global and interregional connections and are presented here as sites of connectivity, encounters, and exchange. Contributors are: Tina Asmussen, Nadia Baadj, Benedikt Bego-Ghina, Davina Benkert, Daniela Bleichmar, Susanna Burghartz, Lucas Burkart, Christine Göttler, Franziska Hilfiker, Nicolai Kölmel, Ivo Raband, Jennifer Rabe, Antonella Romano, Michael Schaffner, Sarah-Maria Schober, Claudia Swan, and Stefanie Wyssenbach.
Acculturation --- Acculturation. --- Cities and towns --- Cities and towns. --- City and town life --- City and town life. --- Globalization --- HISTORY / Europe / Western. --- Historic sites --- Historic sites. --- Historiography. --- International relations. --- Material culture --- Material culture. --- Social conditions. --- History --- Social aspects --- Social aspects. --- 1492-1648. --- Europe --- Europe. --- Historiography --- History, Local. --- Relations. --- History of Europe --- History of civilization --- anno 1600-1699 --- anno 1400-1499 --- anno 1500-1599 --- History. --- 1492-1648 --- Culture --- Folklore --- Technology --- Coexistence --- Foreign affairs --- Foreign policy --- Foreign relations --- Global governance --- Interdependence of nations --- International affairs --- Peaceful coexistence --- World order --- National security --- Sovereignty --- World politics --- Historical criticism --- Authorship --- Heritage places, Historic --- Heritage sites, Historic --- Historic heritage places --- Historic heritage sites --- Historic places --- Historical sites --- Places, Historic --- Sites, Historic --- Archaeology --- Historic buildings --- Monuments --- World Heritage areas --- City life --- Town life --- Urban life --- Sociology, Urban --- Global cities --- Municipalities --- Towns --- Urban areas --- Urban systems --- Human settlements --- Culture contact --- Development education --- Civilization --- Ethnology --- Assimilation (Sociology) --- Cultural fusion --- Globalisation --- Internationalization --- International relations --- Anti-globalization movement --- Criticism --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Culture contact (Acculturation)
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At the turn of the sixteenth century, the notion of world was dramatically being reshaped, leaving no aspect of human experience untouched. The Nomadic Object: The Challenge of World for Early Modern Religious Art examines how sacred art and artefacts responded to the demands of a world stage in the age of reform. Essays by leading scholars explore how religious objects resulting from cross-cultural contact defied national and confessional categories and were re-contextualised in a global framework via their collection, exchange, production, management, and circulation. In dialogue with current discourses, papers address issues of idolatry, translation, materiality, value, and the agency of networks. The Nomadic Object demonstrates the significance of religious systems, from overseas logistics to philosophical underpinnings, for a global art history.--
Art and globalization --- Culture and globalization --- Religious art --- Globalization and culture --- Globalization and art --- History --- Sacred art --- Art --- Globalization --- Comparative religion --- Religious art. --- History.
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This book explores the spatial, material, and affective dimensions of solitude in the late medieval and early modern periods, a hitherto largely neglected topic. Its focus is on the dynamic qualities of "space" and "place", which are here understood as being shaped, structured, and imbued with meaning through both social and discursive solitary practices such as reading, writing, studying, meditating, and praying. Individual chapters investigate the imageries and imaginaries of outdoor and indoor spaces and places associated with solitude and its practices and examine the ways in which the space of solitude was conceived of, imagined, and represented in the arts and in literature, from about 1300 to about 1800.
eenzaamheid (kunst) --- History of civilization --- Art --- Literature --- anno 1700-1799 --- anno 1400-1499 --- anno 1300-1399 --- anno 1600-1699 --- anno 1500-1599 --- Solitude in art --- Solitude in literature --- Arts, Medieval --- Arts, Modern --- Themes, motives --- Comparative literature --- Psychological study of literature --- Thematology --- anno 1500-1799 --- Arts, Medieval - Themes, motives --- Arts, Modern - Themes, motives --- Solitude --- Solitude in art. --- Solitude in literature. --- Seclusion --- Loneliness --- Privacy --- History.
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Early modern views of nature and the earth upended the depiction of land. Landscape emerged as a site of artistic exploration at a time when environments and ecologies were reshaped and transformed. This volume historicises the contingency of an ever-changing elemental world, reframing and reimagining landscape as a mediating space in the interplay between the natural and the artificial, the real and the imaginary, the internal and the external. The lens of the 'unruly' reveals the latent landscapes that undergirded their conception, the elemental resources that resurfaced from the bowels of the earth, the staged topographies that unsettled the boundaries between nature and technology, and the fragile ecologies that undermined the status quo of human environs.
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Biografie van de Antwerpse kunstenaarsfamilie Brueghel, die tussen 1550 en 1700 een vooraanstaande rol speelde in de Europese kunst. Met aandacht voor de vrouwen in de familie, wereldhandel en kolonialisme. Met kleurenillustraties.
Art --- Painting --- History of civilization --- easel paintings [paintings by form] --- oil painters --- cultuurgeschiedenis
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