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Live, or performance, art is one of the most controversial and hotly discussed areas of art practice to emerge in the second half of the twentieth century. The history of live art is one of challenge to audiences, art traditions and cultural values. With elements of performance now part of the practice of many of today's best-known artists, and boundaries between visual art, theatre and live art more and more blurred, this collection is long overdue. Leading artists and thinkers assess the relevance of live art now, its impact within the visual arts and the broader cultural sphere. Hugo Glendinning's stunning colour photographs of performance events are combined with numerous essays examining the political, philosophical and cultural resonances of the work of a diverse range of international live artists, both historical and contemporary. Accessible, critically astute and expansive, Live is an indispensable resource for all those with an interest in some of the most vibrant and contested issues in art today.
Art --- art [discipline] --- performance art --- anno 1900-1999 --- Pope.L, William --- Gómez-Peña, Guillermo --- Kulik, Oleg --- La Ribot --- Baker, Bobby --- Catling, Brian --- Catts, Oron --- Etchells, Tim --- Franko B. --- Abramovic, Marina --- Maclennan, Alastair --- Newman, Hayley --- Phelan, Peggy --- Bel, Jérôme --- Athey, Ron --- Castellucci, Romeo --- Stelarc --- Forced Entertainment
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Artists --- anno 1900-1999 --- Great Britain
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Art --- art [discipline] --- performance art --- anno 1900-1999
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"Certain fragments" is an extraordinary exploration of what lies at the heart of contemporary theatre. Written by the artistic director of Forced Entertainment, acknowledged to be "Britain's most brilliant experimental theatre company" (Guardian), Certain Fragments investigates the processes of devising performance, the role of writing in an interdisciplinary theatre, and the influence of the city on contemporary art practice. Tim Etchell's unique and provocative voice shifts from intimate anecdote to critical analysis and back again. As in his theatre-making so in his book : with Certain Fragments Etchells disrupts traditional notions of creative, academic, and intellectual work. The book is an exciting and radical fusion of story-telling and criticism. It also makes available, for the first time, four seminal Forced Entertainment texts by Tim Etchells.
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At the occasion of The Six Brandenburg Concertos De Munt/La Monnaie and Rosas invited dance photographer Hugo Glendinning to attend the rehearsals in Brussels and to travel to New York City for the work’s US premiere at the Park Avenue Armory. His photographs masterfully reveal both the personality of each individual dancer and the idea of a clan, a company made up, for The Six Brandenburg Concertos, of several generations of dancers – some bringing to this new work all their experience with the choreographer, others undertaking such an ambitious project for the first time with Rosas.
712 --- Dans --- dans --- België --- eenentwintigste eeuw --- choreografie --- choreografen --- 792.071 --- fotografie --- dansfotografie --- De Keersmaeker Anne Teresa --- Rosas --- Glendinning Hugo --- 21.40 photographic art: general. --- 24.15 dance: general. --- Modern dance --- Modern dance. --- Rosas (Dance company) --- Rosas (Dance company). --- Glendinning, Hugo --- Theatrical science --- dance [discipline] --- performance art --- choreography --- dances [performance events] --- dance companies --- Keersmaeker, de, Anne Teresa --- Rosas [Brussels] --- dance [performing arts genre] --- Keersmaeker, De, Anne Teresa
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