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For over 20 years, Brooklyn-based artist Gedi Sibony (born 1973) has transformed cast-offs and other found materials into spare, elusive works of art, forging an evocative new strain of Minimalism from the salvage of contemporary life. This richly illustrated monograph surveys a decade of his varied production. Featuring newly commissioned texts by art historian Rhea Anastas and artist/poet Renee Gladman, as well as an interview with Sibony by Robert Enright, All These Hands Are Made of Crumbs surfaces points of connection between distinct bodies of work: from the artist's acclaimed series of found paintings cut from the sides of decommissioned semi-trailers to the subtle sculptural objects that, for him, serve as "guideposts for reframing the experience of place."
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"The exhibitions feature site-specific installations informed by a feminist engagement with experiences of doubling and mirroring, gendered forms, reciprocity between photography and sculpture, and ways the artist's body and each viewer's body relate to the built environment....History Mother takes an unconventional approach to the "history" of Olson's practice. A selection of photographic works from the past decade joins new works, together articulating how Olson uses her own body as subject matter--bent knees, limbs, hands, and feet press up against mirrors and photographic surfaces, confusing points of contact between the figure and the picture plane--as well as the archival impulse that runs through her practice, with collections of objects, images, and gestures often gathered, repeated, and rhymed across the assembled works. Alongside this photographic "retrospective," Olson will show a new room-sized installation, Proto Coda, Index (2016-22), that choreographs the display of meticulously produced MDF reproductions of all of her sculptural reliefs made to date.... Meanwhile, Little Sister, presented in the Carpenter Center's Level 1 Gallery, debuts an ambitious suite of new sculptures scaled to the building's spaces, surfaces, and forms, and in critical conversation with its affects and ideological origins. In a variety of media, Olson distorts, inverts, repurposes, and frustrates the functions and metaphors of architectural elements, such as doors, windows, vestibules, light fixtures, and corridors. Sculptural details that suggest bodily anatomy and partially concealed photographs and ceramic sculptures join industrial materials and construction techniques in structures that populate Level 1's indoor and outdoor gallery and public spaces.
Olson, B. Ingrid, --- Photography, Artistic --- Site-specific sculpture --- Self-portraits --- Installations (Art) --- Exhibitions
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"Ways of Worldmaking is the first comprehensive monograph on British experimental filmmaker Ben Rivers (born 1972). In recent years, Rivers has been celebrated as one of the most important experimental filmmakers of his generation. The series of exhibitions collected in this book explore the diversity and breadth of his work. Often following people who have in some way separated themselves from society, the raw film footage provides Rivers with a starting point for creating oblique narratives imagining alternative existences in marginal worlds."--Publisher's website.
Art --- Experimental films --- film --- kunst --- documentaire --- eenenwtintigste eeuw --- Groot-Brittannië --- Rivers Ben --- 7.071 RIVERS --- 791.471 RIVERS --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Exhibitions --- Motion pictures --- Video art --- Rivers, Ben, --- Criticism and interpretation. --- Rivers, Ben
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Art --- drawings [visual works] --- multimedia works --- photography [process] --- migration [function] --- video art --- time --- political art --- texts [documents] --- philosophy of art --- Friedl, Peter
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