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Simon Gilson's new volume provides the first in-depth account of the critical and editorial reception in Renaissance Italy, particularly Florence, Venice and Padua, of the work of Dante Alighieri (1265–1321). Gilson investigates a range of textual frameworks and related contexts that influenced the way in which Dante's work was produced and circulated, from editing and translation to commentaries, criticism and public lectures. In so doing he modifies the received notion that Dante and his work were eclipsed during the Renaissance. Central themes of investigation include the contestation of Dante's authority as a 'classic' writer and the various forms of attack and defence employed by his detractors and partisans. The book pays close attention not only to the Divine Comedy but also to the Convivio and other of Dante's writings, and explores the ways in which the reception of these works was affected by contemporary developments in philology, literary theory, philosophy, theology, science and printing

Art appreciation. --- Dante Alighieri, --- Appreciation --- Criticism and interpretation --- History. --- Italy --- Dante Alighieri --- Alihii︠e︡ri, Dante, --- Alaghieri, Dante, --- Aldigeri, Dante, --- Aligeri, Dante, --- Allighieri, Dante, --- Aligerius, Dantes, --- Alighieri, Dante --- Aligheri, Dante, --- Alighieri, Dante, --- Alleghieri, Dante, --- Durante Alighieri, --- Tan-ting, --- Danding, --- Dāntī Alījyīrī, --- Alīyīrī, Dāntī, --- Dante Alih'i︠e︡ri, --- Dante, --- Dant Aligīeri, --- Aligīeri, Dant, --- Dantte, --- Tantte, --- Dantis Alagherius, --- Danthe Alighieri, --- Alighieri, Danthe, --- Dante Alig'i︠e︡ri, --- Alig'i︠e︡ri, Dante, --- Ailígiéirí, Dainté, --- Dantė Aligjeris, --- Dānté ʼAligiyéri, --- Makākavi Tāntē, --- Tāntē Alikiyari, --- Alikiyari, Tāntē, --- אליגיירי דנטי --- אליגירי, דנטי --- דאנטי אליגיירי --- דאנטי אליגיירי, --- דאנט, --- דנטה אליגיירי, --- דנטה אליגירי, --- דנטי אליגיארי, --- דנטי אליגירי, --- دانتى ألغييري --- دانتي أليجيري،, --- ダンテ, --- Данте Аліґгіері,

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Dante Alighieri --- Venice

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This newly commissioned volume presents a focused overview of Dante's masterpiece, the Commedia, offering readers of today wide-ranging insights into the poem and its core features. Leading scholars discuss matters of structure, narrative, language and style, characterization, doctrine, and politics, in chapters that make their own contributions to Dante criticism by raising problems and questions that call for renewed attention, while investigating contextual concerns as well as the current state of criticism about the poem. The Commedia is also placed in a variety of cultural and historical contexts through accounts of the poem's transmission and reception that explore both its contemporary influence and its continuing legacy today. With its accessible approach, its unstinting focus on the poem and its attention to matters that have not always received adequate critical assessment, this volume will be of value to all students and scholars of Dante's great poem.

Dante Alighieri --- Dante Alighieri, --- Criticism and interpretation --- Criticism and interpretation. --- Dante Alighieri, - 1265-1321. - Divina commedia --- Dante Alighieri, - 1265-1321 - Criticism and interpretation --- Dante Alighieri, - 1265-1321

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This volume explores the complex phenomenon of exegetical work produced from the fifteenth to the seventeenth century on Petrarch's vernacular poetry, that is, both his Rerum vulgarium fragmenta ( Canzoniere) and his Triumphi ( Trionfi). This body of exegesis takes the form of commentaries, annotations, academic lectures, and other forms of para-textual and critical intervention, from biographies and glossaries to marginal notes and illustrative programmes.0The volume gathers together ten contributions from Anglo-American, Italian and continental scholarship. It combines rigorous analyses of specific commentators and lecturers (the author of the 'Portilia' commentary, Silvano da Venafro, Giovan Battista Gelli) alongside contributions devoted to interpretative strategies in both commentaries and academic lectures. It also explores the reception in Italy, France and England of the major Petrarch commentary by Alessandro Vellutello, as well as forms of reception and interpretation in paratexts and images. The volume is divided into three sections: 'Philology, Materiality and Paratexts'; 'Exegetical Strategies in Commentaries and Lessons'; and 'Visual Exegesis and Reception in France and England'.

Petrarca, Francesco